Film Format: Digital File

  • Goldstar

    An intimate look at the difference between love and relationships.

  • Wood and Metal Bars

    A meditative experience through colour, form, and sound. The animation was created by painting ink directly onto 16mm film. This music video was created for Toronto chamber music composer Frank Horvat. The musical composition is performed by Canadian percussionist Beverley Johnston. Image description: An abstract image featuring blue tones in various textures, with a black-outlined circular shape in the centre and bright pink blotches at the bottom.

  • Engine Complex: Bridge/Seed

    A fraught passage of the camera’s eye through fantastical architectural and psychological spaces. Somewhere between a body and a building, the lens tumbles and lurches through time and space, caught between observation and escape. Themes of construction blend with surgical examination while the joys and pains of discovery rattle with a search-and-rescue-like urgency. Where are we? Co-directed by Bryan Morello and Matthew Endler, this work emerges from a multi-level structure (called the Engine Complex) built in their shared studio. It is a playground for collaborative overlap and hosts a wide spectrum of playful set design and experimental performance activities.

  • Saving Gorillas. One Sip At A Time

    Uganda is home to the critically endangered mountain gorillas surrounded by people near their protected habitat who are also struggling to survive. Doctor Gladys Kalema – Zikusoka realized that the farmers were not being given a fair price for their coffee, which led them to use the national park to meet their basic family needs for food and fuelwood. Thinking about new opportunities for the African Community as well as saving the gorillas from diseases and poaching, she founded a social enterprise so humans and gorillas could coexist.

  • P L U M E

    Fingers pluck fallen evidence of flight; placed and traced to make avian light.

  • The Shadow of My Life

    Hanna, a recent immigrant to Canada from Iran, struggles with depression as she tries to process memories of Iran and find her place in a new country. As she rediscovers her passion for painting she finds inspiration from other artists. Told in graphic monochrome animation with occasional striking splashes of red. Image description: A graphic drawing in stark black-and-white depicts a woman and her shadow considering themselves in a mirror.

  • Pinhole Park

    “Pinhole Park” was created using a 35mm film tin modified into an outward-looking 59-pinhole camera that registers images on a single film loop mounted in the tin. Each loop is exposed in one moment with 59 pinhole “lenses” to create as many distinct images that, when presented in series, create a panning of the landscape in various directions. The work was exposed on outdated black-and-white 35mm print stock acquired from Archives Canada discards, and processed by hand in Caffenol chemistry, a less environmentally impactful developer made with coffee, vitamin C, and washing soda. The film and photographs document a city…

  • A Nice Big Zero for You

    Doughnut destruction that started as a lark but got a bit grim. Also an ode to the JK Optical Printer, and a meditation on human cruelty and expendability.

  • Field Trip

    “Field Trip” is a travel diary on the American social landscape. The images consist of visual research for future film projects and were accumulated during my many location scouting trips to the United States between 1980 and 1995. Over time, I have come to regard this photographic archive as a collection of works of historical and personal value. Over the years, I began to rework the photographs. The more I handled and touched them, the less I thought of them as photographs and the more I saw them as something that could be hand-shaped, altered, transformed and re-imagined. With three…

  • До Землі (To the Ground)

    A three-channel video installation which depicts various plants from Saskatchewan that were captured during my year-long mentorship with Sandra Semchuk (supported by BC Arts Council). The project applies the approach of ethnobotany, in this case combining stories of both Ukrainian and Ukrainian Canadian people about the medicinal use of different plants. The video triptych pairs close-ups of plants together with audio stories about them, giving an inside view of an interwoven connection between Ukrainian people and plants, while at the same time unveiling the history of immigration through individual family stories. By including both English and Ukrainian language the work…