Film Format: Digital File

  • Model Fifty-One Fifty-Six

    Model Fifty-One Fifty-Six displays the physical changes of the maker’s heart since being born with the congenital disorder, Transposition of the Great Vessels. This chronicle showcases a movement from human to cyborg that connects personal vulnerability to 1980s science fiction.

  • In Passing

    A short lesbian art erotic film about a chance encounter between two women, complete strangers to each other, in the city of Belgrade. An impulsive attraction between them is driven by a strong sensual connection and the story of pursuit builds up quickly in one afternoon and enchanting night. Free of dialogue and with an original musical score, this short film can be likened to a fantasy or dream.

  • you rub me the wrong way

    you rub me the wrong way was created as part of SOUND + VISION TORONTO produced by Basement Arts. This project paired 5 local filmmakers with 5 local bands/musicians and 1 local neighborhood. I was asked to interpret and adapt a song by the potent forces behind post-punk band Pants & Tie in Toronto’s dynamic Kensington Market.

  • beth olem | house of the world

    two super 8 camera rolls capturing the beth olem cemetery in detroit on the site of GM’s “Poletown” plant, only open 4 hours per year.

  • Patterns: For some reason, it really tickled me.

    An experimental new media performance that travels through the magical places of memory and mind to find a new consciousness of love. Amot, a widowed butcher’s daughter, tries to find the logic of her own love story. She pieces together different memories and observes the magical patterns of love in life. With the help of other personalities, Amot will remember her teenage love, play with her first pet dog, and feel the force of a romantic relationship. She will travel through her own life, from remembering her parents’ death to finding the love of a lifetime, from being tickled by…

  • By The Time We Got To Expo

    A meditative journey through Expo 67, re-visiting a significant moment in Canadian history using manipulated imagery taken from educational and documentary films. Footage has been re-worked using tints, toners and photochemical techniques to create a vibrant collision of colours, textures and forms.

  • The Little Deputy

    Trevor tries to have a photo taken with his father.

  • here

    A 4-minute drama on an archetypal stage.

  • A MOOR

    A MOOR – (or a “room” inverted) synthesizes the multiple meanings of securing, uncultivated land, and an ethnic population in its portraits of Caucasian sex tourists who blur into one another through the POV of an unheard and unseen Asian escort. The dynamics of power and race revealed through the clients’ speech and not allowing the Asian character that forms the core of the film to be seen or heard.

  • BLISSED

    The unspoken issue of LGBT domestic violence becomes an allegory for LGBT racial dynamics. Drawing inspiration from the claustrophobic tensions of Tennessee Williams, it distills the undertones between classes in society, the plight of immigrants in Canada, the double-edge of charity, and the transference of violence from people’s fetish and fear.