Film Format: Digital File

  • Methylenedioxymethamphetamine

    Using macro cinematography, “Methylenedioxymethamphetamine” documents the landscape of the drug MDMA. The combination of reflective abstractions with techno music creates an eerie meditation on rave culture.

  • Mono

    Mono (2015) is a mystical film on monolithic architecture, monophonic music and the ancient female old. A celebration of slowness. A dense video-audio dynamic, demanding and minimal, suggests a mysterious background story, a genesis of drone and stones. Alongside with atmospheric static shots of various ancient and modern monoliths (including an artificial one), the tale is performed in three languages (English, Welsh and Old Norse) narrated by women of different generations and cultures representing the ancient past, the current presence and the distant future. No actual reference to time or place is made. Six musicians have designed music for different passages…

  • Pivot

    Several years ago I came across a book by body language expert Joe Navarro where he describes physical gestures and how to determine whether someone is experiencing high stress or low stress with the ultimate aim of decoding whether someone is lying or telling the truth. Pivot is a recording of these enacted gestures after a computer algorithm has randomized them. The algorithm is based on an audio recording of morning birds where the randomness of the birds chirping was used to determine the randomness of the placement of gestures in the script. The performance was recorded inside the legal…

  • White Condo

    In this hyper-real age of simulated imagery and self-curated surveillance, many artists are returning to metaphors of authenticity and duplication to investigate the particular character of this post-millennial moment. Theorists like Virilio have interrogated the ways in which contemporary seeing modifies experience, encouraging the extreme desire for other worlds and, essentially, for disappearance itself. White Condo is my ironic attempt to contribute to this complex terrain, a satiric project for exploring the myriad dysfunctional ways that we humans attempt to ‘master’ ourselves and our increasingly artificial environments.

  • The Season Word

    Still but twisting eye / from fall’s wither to first snow / where lives my wonder.

  • Color Neutral

    A color explosion sparkles, bubbles, and fractures in this hand-crafted 16mm film. Reeves utilized an array of mediums and direct-on-film techniques to create this boisterous, psychedelic morsel of cinema as material. Reeves’ soundtrack mixes samples from rusty, dusty old machines, records, and electric waves to create an aural passage through technological progress.

  • Mills

    The ruins of a nineteenth century farm in the brush off Moatfield Drive in Toronto – a stone shack without a roof and, not much further, a well, long since abandoned as a sewer. We made a quick inventory: splintering branches; stars and asterisks; coded tags.

  • Landform 1

    Studies in motion, made red, black and blue by tone and tint. To be present in a landscape is to turn from vision to a menacing rhythm.

  • On Sundays

    A record of textured surfaces and passing throughts on an uneventful Sunday spent in quiet contemplation at home, accompanied by the memories of defocused lights on a somnambullstic nighttime streetcar journey. Produced in collaboration with poet Goran Simic, commissioned by the Liaison of Independent Filmmakers of Toronto (LIFT) for Poetry Projections II.

  • Hand-processing

    A campfire for warming eyes and sight, somewhat akin to TV static. Produced by accident and chance, all the images in this film are achieved via tactile impact, the soundtrack acoustically interpreting the same abrasions.