Film Format: Digital File
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Sky Room
Someone is missing. Plants grow, but at what cost? Technology threatens and seduces as humans attempt to solve a mystery through telepathy and mirrors. Stainless steel and broken glass strewn about an intergalactic discotheque. Commissioned by the Chicago Film Archives and made in collaboration with sound artist Brian Kirkbride, with footage and sound from the archive chopped, manipulated and arpeggiated into a fertile mix of anthem and narrative.
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You’ve Got Tail
A mail carrier is in for a salty surprise! The pups at this house are a little friendlier than he was expecting…
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Lunch Time
In this film we drive through downtown Cairo. While exploring the urban life and daily routine of the streets near Tahrir square, we sink into a labyrinth where our path keeps on being cut. During the 2011 revolution it was often said that “the people took back the streets”, but since then the police and military have returned to power and show their supremacy by controlling the public spaces, leaving many to adapt to a system where they have no voice and must work around the obstacles that are left behind.
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The Hares (Las Liebres)
Winter night. Mariano plays with his older sisters in a room on a country house. His father looks for him to take him hunting. Mariano would rather stay at home but his father takes him anyway.
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Exilic Trilogy
“Exilic Trilogy” consists of three arthouse docudrama films from Arsalan Baraheni, the exiled Iranian-Canadian filmmaker based in Toronto. The films present a well known musician, a painter and a poet. The films are biographical, poetic and musical, colliding with social, political and philosophical manifestations. The first film is called “Light and Sound”, starring Soleyman Vaseghi, a well known Iranian musician who was forced to leave Iran after the 1979 revolution when music got banned by the regime. The film is about the light within the mind of the artist and the sound which he produces through his music in exile.…
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Pizza Roles
This meta-porn captures our experience, as genderqueer mixed race people of color, living in Seattle during the age of diversity incorporated. Opportunities to explore meaningful differences in experience are cast aside in favor of glossy, diverse, marketing photographs as the ultimate proof of corporate status.
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Brunch Queen
“Brunch Queen” is a hybrid film that follows a hilarious gay couple (who can’t stand each other’s company but are still very much in love) as they prepare for the opening night of a musical based on their infamous insult diner. This 11-min short doc is shot like an episode of a mockumentary television sitcom, like The Office or Modern Family. It’s a humorous and poignant exploration of love and aging in the LGBTQ community.
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The Williamsburg Houses
This film gazes into the architecture and lives of the occupants of one of the most ambitious public housing projects ever built in the US. Exploring the remains of a utopian design in contemporary context, we are immersed in the life of a building and a community.
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Schèmes Arbitraires
Four choreographies in a continuous narrative working through themes of struggle and beginning within conformity and control. Five Dancers as part of a larger group of dancers, and then exploring freely in the past before being moved into the conformity space, finally they are allowed periods for competition and then play both of which inevitably reinforce, and lead them back towards, the conformity space. This project is very much a collaboration between most notably Gelymar Sanchez, a montreal choreographer, Sebastien Lavoie, an Oxford experimental musician, and Sean C Dwyer, an actor and filmmaker. Each of them have had interesting, exciting…
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Arvind
After his mentally ill mother is released from prison, Arvind, a 16 year-old biracial queer teenager in Austin, Texas, revisits old family wounds when he writes and produces a play written from his mother’s perspective. When his relationship with the actress who portrays his mother on stage deepens, it sets Arvind on a course that will change his perception of his past.
