Film Format: Digital File

  • JUNK

    It’s a musical! Two gay men, one younger, one considerably older, are offered the contents of a recently deceased man’s dilapidated house in exchange for cleaning it out…items they hope to sell at a Raleigh, NC flea market…only to find nothing there but a mountain of ghostly vintage pornography…and personal memorabilia. As they sort through this debris, discoveries are made…not only of this man but of themselves, their unusual relationship, a generational divide…and loss. “The most offbeat buddy film of 2019 and beyond (as well as a future classic of LGBTQ independent cinema)” – Jed Ryan – Lavender After DarkHi…

  • Alia

    Haunted by the memory of civil war, an old Lebanese man revisits the last few moments of a fateful bus ride that leads up to the murder of his beloved.

  • Deema

    After years of living abroad, Deema is reunited with her childhood friend Nidal. When their love blossoms like the Arab Spring, a pain nested deep within suddenly re-surfaces as she fights to revive the phoenix inside of her.

  • A Scene

    A man drives up to his ex-lover’s house demanding that she express her feelings toward him in person. But even still, he won’t leave without making a point.

  • Slumberparty 2018

    Slumberparty 2018 is a remake of a 1984 Super 8 film called Slumberparty made by the Positive Pornographers, a mostly queer collective of Toronto-based artists, activists and sex-workers. Commissioned by A-Space Gallery’s “Developing a Women’s Erotic Language on Film” workshop, Slumberparty was made as a direct intervention in Toronto’s feminist porn debates. They wrote, “we didn’t set out to make a work of art. We set out to make something that might turn us on. Join us for what one previewer called “Mary Poppins’ first lesbian orgy. Slumberparty screened twice in public in 1984 then disappeared until 2016, when the…

  • Cherry Cola

    After Ryan receives an abrupt message ending his two year relationship, he and his fellow drag sister, Nick, partake on a drunken adventure for resolution. Moving through the city with night as their fuel, both queens are forced to reflect on the life they live, and the people who can’t seem to keep up.

  • ‘On The Road’ by Jack Kerouac

    If Jack Ker­ouac wrote his leg­endary novel On the Road on a long paper scroll, why not do it on a long 35mm film roll as well? By re-typing the com­plete book –with the use of 35mm black leader instead of paper on a type­writer– this project attempts, among other things, to con­vert Kerouac’s roman­tic rhyth­mic writ­ing method onto a cold and mechan­i­cal tran­scrip­tion in order to give the work new pos­si­bil­i­ties and read­ings that, when pro­jected at 24 frames a sec­ond, although they do empha­size Kerouac’s inten­tions of imme­di­acy, they trans­form the text into illeg­i­ble blotches of let­ters that…

  • Emergence

    “Emergence” is a video installation created to counter the violence of blackface in its representation of Blackness. This piece re-asserts the beauty of Blackness and challenges the reductive nature of contemporary Canadian blackface through extreme close-ups of black faces in all their diversity. Shot in extreme slow motion and projected by two projectors at a large scale on two screens, the images appear to be stills at first, but reveal themselves over time to be moving. These parts of lips, noses, eyes, posit the face as a signifying landscape. Serene images contrast with others that depict faces and arms pressed…

  • Twilight

    Exploring the relationship between sound and picture, this film is inspired by the two lights (twi-light) found inside of film projectors. The animation was created by applying both sound and picture directly onto 35mm film. After the soundtrack was created, each individual sound was assigned a specific shape and colour that repeats throughout the composition. Visual shapes were airbrushed and hand-painted onto orange mask (negative film), then printed positive for further manipulation by bleaching or scratching into the film’s emulsion before the final print copy was made. Sounds were made by drawing Spirograph moire patterns onto clear mylar sheets. The…

  • TV

    Transformational Vibrations (TV). Sound vibrations are interpreted as images in this abstract film. Resonating cycles of rhythm build until every frame contains a sound. This is an experimental animation created by applying both sound and picture directly onto the 35mm film. Once the soundtrack was created, each individual sound was assigned a specific shape and colour that repeats through out the entire composition. Visual shapes were airbrushed and hand-painted onto orange mask (negative film), then printed positive for further rendering by bleaching or scratching into the films emulsion before the final print copy was made. Sounds are made by hand…