Film Format: Digital File

  • Lac de Plumes

    In this music video for IDALG’s “Lac de plumes”, a woman smokes and waits for a phone call. In another forestial world, accessed through the portal of a magic jewelry box, a snake maneuvers through minerals and plant life. The two worlds gradually merge as the body of the woman and snake become intertwined.

  • Witch’s Work

    This animation weaves together a series of surrealist scenarios inspired by the monstrous women of Ancient Greek mythology. The animation begins with the ritual of the Graeae, a trinity of sisters from Greek mythology, who pass their divining shared eye between them. The first vision is a pan of a river, which reveals the figure of Lilith, who represents female sexuality in Jewish mythology. Lilith gives birth to an owl, a crystal, and a glowing orb. This orb transforms into a dancing, humanoid blob, which undergoes a physical transformation into a snake. The snake makes its way to a nest…

  • Soft Core

    Two bridesmaids form an unlikely connection over their bizarre sexual awakenings.

  • Video Home System

    ‘Video Home System’ traces the convergence of popular culture and politics in Pakistan during the 1980s and 1990s. This video showcases the connections between pop culture and nationalism, and how bootleg economies kept the cinema industry alive during periods of censorship. Image description: A young man sits at a desk behind a pile of VHS tapes, illuminated by a desk lamp. The wall behind him is vivid green.

  • POLYMORPH

    Through the lens of an experimental film this personal piece explores gender and one’s place within or without it. Using images of their body and sonographic visuals set to drone music, the director leads you through an identity in flux.

  • SHE IS THE OTHER GAZE

    Every encounter with an image, every interaction searches for its own form. SHE IS THE OTHER GAZE describes the encounter with female visual artists mostly of an older generation who were part of the Viennese art scene in the 1970s and were engaged in the women’s movement. In dialogue with the filmmaker and her camera they share early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers the protagonists are a great influence on the contemporary art scene and…

  • Stripped

    Forget everything you heard and enter the world that many know of but know very little about. STRIPPED is the personal, untold story of Phylicia Carty, also known as Mz Lady Ice, whose life took her in the direction of becoming one of the most revolutionary urban exotic dancers in the Toronto adult entertainment industry. The enticing documentary showcases the struggles and triumphs that come with being a female stripper in a contemporary world that is now gaining mainstream acceptance. A multi-award winning short film, STRIPPED has received a total of 4 awards, 8 nominations and 3 official selections in…

  • This Is A Safe Space

    It’s 2017 and the world is young, hip, and blindly woke. The tech world is teeming with ground-breaking ideas, the office kitchens are stocked with world class snacks, the offices industrial and modern, and the employees are liberal. This office is not exempt and in this world, socially correct buzzwords carry more weight than actions. Taraja, a cool and collected executive and Ashlynn, an upbeat, outspoken receptionist have decided that they have had enough. Enough of the comments, enough of the questions, and most of all enough of people touching their hair. As their day progresses, CEO and self-aligned ally…

  • Untitled

    A performance film consisting of a string of five slow motion portraits of a young woman. Each portrait varies in length and gesture as her myriad expressions invite our gaze. With each action performed in dead silence, stretched to the limits of voyeuristic levels of comfort, the simple act of looking is made fragile. A curious exchange is established between spectator, creator, and subject through a careful appropriation and reframing of social media conventions and advertising iconography transposed into a cinematic space—pointing to a cycle of regressive media consumption.