Film Format: Digital File

  • FURNACE

    For three years I researched and filmed various locations in the interior of British Columbia, Canada in more or less a geographical triangle from Kamloops to the east, Ashcroft to the west, and Spences Bridge to the south. My main focus has been the semi-deserts, deep valleys, and plateaus to define how I see the interactions of the natural and manufactured worlds, worlds brought into my perspective by the ever changing presence of shadow and light. Since I began filming this movie in 2016 there has been a yearly increase in the widespread smoke and haze from each new record…

  • Ocean III

    Ocean III is part of a series of films loosely connected by a similar process of cinematography that sees the operation of the camera as a kind of intuitive performance; specifically the way lenses, filters, and camera are manoeuvred in a single long take to create an impression of a space, while also frequently abstracting it.

  • Ocean IV

    Ocean IV is part of a series of films loosely connected by a similar process of cinematography that sees the operation of the camera as a kind of intuitive performance; specifically the way lenses, filters, and camera are manoeuvred in a single long take to create an impression of a space, while also frequently abstracting it.

  • The Fenestration of Suburbia

    The Fenestration of Suburbia is a melancholic social documentation of a cold Canadian suburb. Framed behind windows and surveilled from the street, the lives of suburbanites float in the black cinematic frame to form images that are simultaneously sorrowful, mundane, theatrical, and puzzling.

  • HOLE

    Mo is an adult with Autism Spectrum Disorder. They spend a lot of time in their brain. Today, a hole started following them.

  • Heads or Tails

    “Heads or Tails” is composed of the heads and tails clipped from black-and-white Super 8 films Kyle has hand-processed over the years. The clips were arranged by flipping a quarter 8 times and then splicing in either a head or a tail selected at random, as determined by the coin toss.

  • Vapor

    “Vapor” is an insubstantial film – diffused matter suspended in air – a cinematic dew point where time and space are distorted and compressed. Pinhole images coalesce into something recognizable and just as quickly fade into the mist of emulsion from which they came.

  • Between Two Cinemas Part 2

    For the past thirty years filmmaker/archivist Ross Lipman has cut a winding path between classic international cinema and the American avant-garde. In this riveting but completely unclassifiable work, he looks back at a life in the cinema and an indescribable divide at the heart of it. Part biography, part clip essay, part abstract painting, “Between Two Cinemas” integrates 4K restorations of his old films inside a new documentary/essay linking them. It uncovers previously unseen archival material on Stan Brakhage and Andrei Tarkovsky, and adds new collaborations with artists including visionary experimentalist Bruce Baillie, Jeanne Dielman cinematographer Babette Mangolte, Bela Tarr…

  • Daily Bread

    In a WWII internment camp in Indonesia, Jeanne and a group of Dutch women and children face a daily struggle against abuse, disease, and starvation. Meanwhile, the Camp Commandant’s beloved white fluffy cat is fed fresh juicy meat….

  • The Day Don Died

    Tucked away in the heart of downtown Vancouver, there’s a condo tower that’s home to long-time members of Canada’s performing arts professions: singers, actors, costume designers, dancers, filmmakers, playwrights, jazz musicians, and more. Now picture this: on Easter Saturday, the residents of Vancouver’s Performing Arts Lodge wake up to discover jazz singer and beloved tenant Don Stewart has unexpectedly died after a Good Friday performance at a neighbourhood bar. But as news travels between his creative and colourful neighbours, the story of Don’s pass takes on a life of its own. Every resident has their own version of what really…