Film Format: Digital File

  • Ambient Walk #3

    In his series of site-specific installation works, Janzen navigates the back alleys of the city on foot with a video camera focused down on the walking surface. As surfaces rapidly pass by the lens, an unusual perspective of the city is captured. The visual result is highly animated with an endless variety of pattern, line, and colour. The rhythm of the artist’s footsteps and surrounding human and machine activity adds an ambient sound mix. Back alleys present an alternative for travel through the city, outside the traditional grid of streets and sidewalks. They offer a more private view of the…

  • HookLineSinker

    Lead, rope, single-channel video projection, sound (5:00 loop), 2005-2014 An installation that challenges the viewer to negotiate between two and three-dimensional space. A rope from above penetrates a simulated “hole” in the projected image of water. An additional simulation of refraction leads the rope below the “surface” of the water to an oversized lead sinker toward the viewer’s space.

  • All She Wrote Anthology

    A series of shorts films about a group of talented, passionate and brave women who make their voices heard though the art of graffiti.

  • May 35

    A haunting commemoration of the Tiananmen Square uprisings made from fragments of censored archival imagery transferred onto film using razor blades and scotch tape. “May 35” speaks to the difficulty of remembering in the absence of memory, especially when June 4 histories have been censored and obscured. It is a tribute to the thousands of lives devastated by this upheaval. Sound Design: Kadet Kuhne

  • ABYSS

    Four ancient Gods, half human, half animal, are trapped in an Abyss for their human sins. One of them removes her mask and starts a dislocated dance. She tries to escape the room, hopeless. None of the other Gods, still obsessed with their inner demons, seem interested in her performance. As the dancer tries a desperate last move, she is drowned in a thick white mist, defeated.

  • Nadia’s Songs

    “Nadia’s Songs” follows a teenage boy who finds a collection of CDs that used to belong to a stranger known only as Nadia. In their shared taste in music he imagines her life story while in turn reflecting on his own. One part essay and one part love letter to second-hand music shops, “Nadia’s Songs” explores the many ways we can forge our identities through the art we consume and things we collect as young adults.

  • Cathedral Bluffs

    “Cathedral Bluffs” is a satire about the interrelationships of consumerism, religion, and fine art. Consumers stream en masse through a shopping mall. The action freezes and the title of a Renaissance painting is superimposed on the resulting still. The film then cuts to the actual painting, superimposed with contemporary advertising copy.

  • Leagan (Peppermint Ashes)

    It has been a many years since Irina and her mother left Romania to live in Montreal. Away from their family, Irina becomes disconnected and absorbed in virtual worlds which separate her from her mother. When she is faced with the passing of a grandparent, she turns to her closest ally in an attempt to understand the meaning of loss and family through distance and time.

  • the art of the morning

    A lyrical look at how one person prepares for the day ahead, savouring each moment.