Genres: Animation

  • Relative Motion

    “Relative Motion” is a series of designs scratched on already processed film, allowing the natural colour of the film to reveal itself. Paint is also added to enhance this state. The designs are expressions of emotions and thoughts which are brought to a roar with sound created to accompany the movements of the scratches.

  • You Are Watching: A Film on Brecht

    “You Are Watching: A Film on Brecht” is an experimental, documentary-style animation that explores the life and ideas of the German playwright Bertolt Brecht in both a historical and contemporary context. This film/video was shot on Super 8mm film and finished on video.

  • Flash Works from My Web Site

    These works represent various ideas expressed through animation. Because the works were done specifically for the web, which demands small digital files, the animations have a fascinating web-specific character that reproduces in a unique fashion in video.

  • Born to Shop (L’Age d’mall)

    Live action and animation with biting commentary on the religion of rampant consumerism.

  • Difference, La

    A wild animation about a wild imagination. In a bar, a place of mystic scenes, Kim is dreaming of his wish of being a woman. His dreams turn into reality through the help of a bartender who is not as he seems to be. This is a story about gender confusion and confusion of transexuality and transvestitsm.

  • Dinky Menace

    A spoof in which Super 8 filmmaker Irving Speck fights to retain his artistic integrity in the face of the big Hollywood machine.

  • Bridging the Gap

    An evolution on the Pied Piper theme. The child who was left behind in the original story is now able to keep up due to the effort and bravery on his part and the enlightened concern on the part of others. Produced for the United Nations’ Year of the Disabled.

  • Ditty Dot Comma

    “Ditty Dot Comma” is the first motion picture musical salute to visual punctuation. Set to the cool jazz styling of drummers Buddy Rich and Gene Krupa, and including the pulsating piano rhythms of Oscar Peterson, we make this musical leap into this abstract animated film. Using animated shapes, drawn directly onto the film’s emulsion, Woloshen opens the door into the abstract world, and propels the audience into a pure widescreen experience. Liberated from plotlines, language and recognizable forms, a universal film experience emerges, suitable for all ages and nationalities.

  • Get Happy

    “Get Happy”, as the title suggests, is a joyous carefree romp through the swinging world of Benny Goodman and his orchestra. This richly textured “cameraless” animation propels the audience through the highs, lows, and refrains of a big-band classic. With a new sound synchronization formula, “Get Happy” delivers an unabashed stream-of-consciousness, fluid with several well-delivered visual punches and crescendos. In Cinemascope.

  • MeMeMaMa

    The magnificence of the solar winds, the unseen emissions from the centre of the galaxy. In Woloshen’s first film of the 21st century, a new cameraless animation engraving technique seeks to capture a new spectrum of light from the centre of the solar system and the core of the projector’s lamp. Is the cinema’s screen a litmus paper of the projector’s activity?