Genres: experimental

  • Seeing Through the Spider’s Web

    “SEEING THROUGH THE SPIDER’S WEB” weaves diverse interviews, documentary sequences, archival images, and utilizes a range of film stocks and experimental techniques in order to explore the effect of migration on family relations, faulty memories and failing eyesight.

  • Cutlery

    Over close – ups of cutlery in drawers and drying racks a reading of a short poem of the same title is read by the poet. In it is a lament for a past not fully recognized and a tradition that escapes the reader’s present situation…the longed for marriage groom which he will never be. Humorous and poignant at the same time, the past coincides in the present like a knife.

  • Editorial

    In the summer of 2008 my father butted heads with hospital bureaucracy. Using found footage loops, mechanized sounds and photograms, “Editorial” tells the story of redundancy, repetition and fighting for your life.

  • Fragments de Corps

    Isabelle is a thirty-three year old female boxer from the south shore of Montreal. As an athlete, she inevitably relies on her body. The body is like a mechanical engine. Her gym, a cold building made of steel and concrete, is located in the industrial area of an anonymous and typical suburban town. Her body, made of flesh and muscles, is continually pushed to its limits. French with English subtitles.

  • Collagist, The

    This charming and humorous animation is a collaboration with artist Marc Bell. “THE COLLAGIST” focuses on Bell’s hands as he assembles one of his works. This dynamic two dimensional piece incorporates drawings, paper cut-outs and looped animations.