Genres: experimental

  • A Conversation With Hana

    During the Lunar Year, Yong talks to his family living in Korea from Canada on Skype and partakes in the new year ceremony online. Later on, Yong has a serious conversation on topics ranging from marriage to religion with his 9-year-old sister Hana whose only wish is to see her brother someday.

  • 24.24.24

    24.24.24. is a view of a day in concurrent time. All of the day’s twenty-four hours are presented at once. In the minutia of time, banal events unfold and are made extraordinary through the camera’s gaze. People go to work and to school, time is stretched and skewed, the act of taking a walk or watering a lawn develops a magical quality. Light gains character, shadow reshapes objects, and time becomes palpable. Take a look.

  • Chicken Film

    I sat in the shade of a willow tree at the farm. A quiet place washed with iridescent cracks of light through leaves. A place supercharged by our shared past. Microstructures in the light identified with my memories of this place, the people, the events and their connection to the present. Sounds of the wind. The gentle foraging of chickens. Playful guitar practicing by my daughter Lexie sitting beside me. If this place and memory and time have an iridescence, could I find a way to preserve it? Eyes left: the garden. Eyes right: the chickens. Eyes forward: Lexie and…

  • Gibraltar Point (transformed)

    Erratic flashes of light spark across a flickering expanse of Lake Ontario. The image itself can’t be contained as light and debris spill outside the frame. The random alchemy of hand-processing techniques creates a landscape that transcends the observable, edging into the sublime. The ninth work in an ongoing series of poetic landscape films. “Gibraltar Point (transformed)” was created during a residency at Artscape Gibraltar Point on Toronto Island. Shot on black and white 16mm film, hand-processed, then transferred digitally with an ambient sound design by Michelle Irving. Selected screenings: Festival International du Film sur l’Art (Montreal, QC, 2017); Antimatter…

  • =

    “Making use of a dizzying array of anti-gay protest footage captured and posted on the internet, Mead’s protagonist bears witness to the fractures, shifts and resistances that have brought us to this time in LGBTQ history.” (in/future 2016)

  • I Am a Spy

    It was only in the twentieth century we needed papers to have an identity. Kafka’s Joseph K scrabbled in his pocket for something better than a bicycle license to prove who he was in the brave new world where official documents separate those who belong from those who are not allowed to belong. The borders of the new nation state offered frames for subterfuge. What happened on one side of the border had to be understood on the other. In the century when we invented aviation, when we invented cinema, in an age when we can move more and see…

  • Three Minute Warning

    The parallel histories of cinema and aviation re-shaped the twentieth century, generating irresistible fantasies of freedom and control. Three Minute Warning is a fast-forward history of the real impact of blue-sky thinking. You’ve had your three minute warning: now is it time to resist?

  • Burning Mountains That Spew Flame (Montañas ardientes que vomitan fuego)

    The interior of the earth became a refuge from the threat that moved closer and closer to the island. The volcanic tubes served as communication vessels between time and space. This was where they experimented their resistance.

  • One Hundred Attempts to Make a Film About Depression

    Four years ago I began working on what was supposed to be a documentary about living with depression. In the end, if there is anything harder than having a conversation about depression, it is making a film about it. After numerous shoots, interviews, restarts, and stages of abandonment, I created this piece. The film is an attempt at translating the emotional state of depression, as I experience it. Filmed almost entirely on the Phantom slow motion camera at 1500 frames per second, 100 Attempts To Make a Film About Depression represents an ongoing struggle to be open about coping with…

  • Blair’s Last Day

    Blair Maddox has been projecting IMAX films at the Space & Science Centre in Edmonton, Canada for almost 30 years. ‘Blair’s Last Day’ documents his last day on the job before the IMAX theatre switches to a digital projection system, leaving Blair unemployed after projecting over 30,000 films.