Genres: experimental

  • Where We Stand

    A discussion on the death of film. Where We Stand is a haunting portrait of theaters shot on handmade 16mm iodo-bromide emulsion. With a strong commitment to retaining the language of film, Where We Stand takes a good hard look at the fragile future of films made on film in this digital age.

  • bernard gaspé

    Rendered in a dream-like pink hue, bernard gaspé uses layered in-camera juxtapositions to present a journey through the neglected architecture of the tracks in Montréal’s Mile End.

  • Vanilla

    Vanilla takes you through the everyday ordinary life of a disabled senior citizen living in Ottawa, Canada. It is a portrait documenting aging and the loneliness of those suffering in silence. The black and white film was shot on 16mm Bolex film camera using a KODAK 7222 Double-X Negative film. Processed by Niagara Film Lab (Toronto). Created as part of Independent Filmmakers Co-operative of Ottawa (IFCO) – Dogme Production Challenge.

  • (tourism studies)

    Sometimes it’s not until the project is finished that I begin to know what the project is about. I’d been sifting through this footage: travel movies, home movies, fragments from projects that never became more than that. It was the summer of 2018 that I began assembling these parts, working intuitively, letting the process guide me and I began to realize that I’d made a Rorschach test for myself, a formalist self-portrait of my Belgian-Japanese-American-Jew heritage and a personal emotional journey following my mother’s passing, my father’s remarriage, and Emma having my child. January 2019 while shooting in Hong Kong,…

  • ∆ (when the cities burn)

    “Our civilization is flinging itself to pieces. Stand back from the centrifuge.” [Ray Bradbury, Fahrenheit 451] [note: in this case, ∆ (opt + j) is defined as it is in chemistry: ∆ = the addition of heat in a reaction and also references the general definition in math & science: ∆ = the change of any changeable quantity]

  • Tracking Sasquatch (field report #2)

    A search for the elusive Sasquatch. The second chapter in an ongoing series. [with text from reported Sasquatch sightings in Colorado]

  • Tracking Sasquatch (field report #3)

    A search for the elusive Sasquatch. The third chapter in an ongoing series. [with text from The Sasquatch Field Research Manual (Enigma Research Group)] More on the Tracking Sasquatch series: http://cbattle.com/tracking-sasquatch-3/

  • ARTIFACT (circa 2006)

    The archaeology of Identity. Consider a world where all human communications are represented by numbers, a digital world. Imagine a future archaeologist finding a DV cassette from hundreds of years ago (a real found object, circa 2006, full length and uncut). Imagine trying to decode this ancient digital object, codecs unknown, obsolete, hardware long lost. Crack the code? Available algorithms scan, databases compare, construct, deconstruct, reconstruct the artifact. 2006, the dawn of self-by-numbers, digitized identity. What human fragments, fugitive narratives, remain? Do we have a future history? What will the algorithms decide? All bookings of this film include a free…

  • Fresh Blood: A Consideration of Belonging

    “Fresh Blood” is a hybrid documentary blending personal narrative and a video-essay style. The piece engages issues of Jewish racialized identity, Arab/Jewish dichotomies and the ways these come together in Iraqi Jewish culture, and the personal implications of the politics of Palestine and of the Jewish holocaust. The artist returns to a land of remembering and forgetting. With her first language lost it is difficult to communicate with her grandmother, and yet there is humour and poignancy in their resulting exchanges. In seeking out her biological father, Yael questions the significance of blood relations. She revisits and revises family memory…

  • the framing of perception

    “I saw the light…” Sun, light, darkness, shadow — from time immemorial all weighted with significance and wonder. What mastery over nature, over others, to grasp the sun, control light itself! Know its speed, its heat, its colour, its radiation, its nature – is this not the power of the gods? Cinema is messaging with light and shadow. Figure and ground. Light, onto which we project significance, now transports our information. Perception shaped by our experiences, our interpretations, our projections, our illusions. Frames of drama and comedy, journalism and documentary, propaganda and advertising, all combined daily and edited, reproduced for…