Genres: experimental
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Critters Chorus, Cycle 1
Whirring and flashing in the night sky. Wild foliage on a moist forest floor, rapidly passing by. Nervous encounters at a redwood tree, gurgling chatter with turkeys at dusk. Casually coiffed horses, unpredictable flying objects and flapping rotors. Speckled skin scrabbles, covered in lush ferns. Swirling fog, dripping haze, old man’s beard, light – diffracted. Sassy badgers, strings and figures. Critters Chorus, Cycle 1 is the first part of an ongoing project, developed while delving into unfamiliar habitats. Lead by questioning the so-called “species problem”, Truttmann investigates the (im)possibilities of taxonomic categorization of living organisms from an artistic point of…
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Flowers #3 (Kissed by the sun)
These motion picture photograms were initiated through a five hour plunge into the darkroom; remembering the Galician celebration of flowers on the road in Baiona, near Vigo in 2019, here too we made a floral carpet of photograms. –P.Hoffman A Procession of herbs “emerge in all their structures, colors and epidermis. The motion picture itself becomes a plant which delicately stretches petioles and petals.” – Séance #3-Sentir Comme une Plante, Muséum National d’Histoire naturelle, Paris.
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back home
back home follows filmmaker, Nisha Platzer’s pursuit to get to know her older brother, Josh, twenty years after he took his own life. As she connects with the friends who knew him best as a teen, a complex portrait emerges. Through intimate recollections re-imagined on Super8 and 16mm film, and lyrical images hand-processed with plants, seaweed, soil and ashes, ‘back home’ floats between memory and present time in a fragmented meditation on identity, grief and loss: illuminating the transformative power of healing in community.
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Hide and Seek
“Hide and Seek” is a daring exploration into wild, uncharted territory – lesbian adolescence in the 1960s. The film features Lou, a 12-year-old girl who daydreams in a tree house, tries not to watch a sex education film, and is horrified to discover that her best friend is taking an interest in earrings and boys. Interwoven with Lou’s story are the most hilarious, sometimes painful recollections of adult lesbians who try to figure out how they got from there to here. Completing the picture are clips from an astonishing array of old scientific and instructional films which blend seamlessly with…
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Flamme dans l’eau
A film exploring the poet Franck André Jamme’s journeys to Rajasthan and Nepal to seek out the origins of Tantric paintings used to awaken heightened states of consciousness. The film merges dream and legend in an exploration of these images that are made by anonymous painters, not to be bought and sold, but as tools of inner practice, as thresholds.
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Buses don’t stop here anymore
Buses don’t stop here anymore is a chronicle on Super 8 of the closure, abandonment, and demolition of the Greyhound bus station in Ottawa, Canada. Once an important site for coming and going, an emotive epicenter, the camera observes the building’s erasure, dismantled by machines that writhe in the dust of demolition. Optical printing translates the act of observation into a requiem for a building, once so present and vital, now a ghost of the past. Filmed on Ektachrome Super 8 over a three year period from the sudden closure of the Greyhound station in April 2020 to its demolition…
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Letter from Blackhawk Island
From her home in Blackhawk Island WI, the poet Lorine Niedecker traded lively and impactful letters with numerous peers, most notably Louis Zukofsky and, later, Cid Corman. After a brief sojourn in New York, she lived alone in a one-room cabin for much of her adult life, walking several miles to nearby Fort Atkinson to work as a copy editor at a dairy industry newsletter until failing eyesight reduced her to menial labour. Niedecker connected to the outside world by post, and among the small shelf of books she kept for herself were several collections of letters, including those of…
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Resistance Meditation
A meditation on crip time and resistance by a chronically ill filmmaker, shot on Super 8 and (mostly) eco-processed by hand.
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Passengers
In 2024 I decided to visit some places I had been to before, places near where I am in the present and places I’ve never been to in the past. As I travelled from here to there, filming this and that I was reminded once again that nothing stands still and nothing stays the same. One of the things that I always wondered about was the intention of the occupied places I would see and what determined the way in which they were expressed. Sometimes it seemed clear while at other times it didn’t appear clear at all. I was…
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Highs
A series of brief poetic images with sudden and surprising turns, in the spirit of haiku.
