Genres: hand-processed
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Still Here
Made for the filmmaker’s uncle, a painter and a gay man who died violently in 2001, this silent, hand-processed film marks an enduring presence with bold brush strokes. When the body is absent the shadows remain. “Still Here” consists of a series of spontaneous, single-take performances that have been edited in-camera. It is at once a eulogy and an act of defiance against the crime that ended Davis Buller’s life.
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Persian Series 13 – 18
In the spirit of the Roman, Arabic, Egyptian and Babylonian Series, these hand-painted films attempt to imagine the kind of Persian visual thinking which created their calligraphy, miniatures and aesthetic designs in general. This is a collection of singly- and doubly-printed (two frames for each one) hand-painted work in six parts: 1) Singly-printed multi-colored watery “blobs” and “feathery” streaks of painted color, dominated by yellows and reds interweaving in complexity until there’s an evolution of hard-edge autumn leaf patterns which dissipate into patterns similar to the beginning of the film. 2) This begins in a deep brilliant red which darkens…
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Lovesong #3 & 4
Lovesong #3 Three qualities of hand-painted imagery inter-weave throughout this film: (1) a mash of thick lines delineating colored shapes, (2) thin black lines, like drawings, which most suggest recognizable body-parts, and (3) globs of pure color at interplay with each other. An irregularity of rhythm (produced by repetition of frames 2,3,and 4 times) creates the sense of a driving force propelling the inter-weave of these essentially abstract displays: three-fourths of the way through the rhythmic intensity falters, “brakes down” as it were, almost becomes a mockery of its earlier sexual regularity. Instead of a variety midst regular beat, the…
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Sssssssss
Sssssssssssssomething’s after me!!!! An homage to the one-man sideshow: written, shot, acted, and edited all by one person. Revenge! Revenge!
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Begin (Toxic 1)
“Begin” uses hand-processing and collaged sound as an overture to life. The first in Saul’s “Toxic” film series, this chapter explores the way birth and death, life and decay interweave.
