Genres: narrative

  • STILLE STADT

    STILLE STADT (trans. Silent City) depicts the state of contemporary urbanity through an Everyman on the verge of a mid-life crisis, who goes through his life of routine both stricken and sustained by opera arias, that stand in for his thoughts and emotions that only he (and the audience) can hear. STILLE STADT in an allegory of modern existence that blends the real with surreal to explore how urban dwellers lose their connection with the environment, people, and praxis; and the suppression and containment of those lost connections by consumerism, distraction, and interiorization. STILLE STADT is an update and inversion…

  • Adrift in Sunset

    Dao is ready to go on her date but she also has to spend time with her mom who has Alzheimer’s—bringing her gallivanting ways to a halt. Is it really a good idea to combine the two?

  • The Well

    When Anna arrives at Jane’s house for a date, she finds a quick high and kinky sex. But their sexual chemistry can’t quite overcome the class and race differences between them, and the encounter leaves Anna wanting more.

  • Excess Is What I Came For

    A beat-driven, flesh-filled document of the nocturnal paradise that was “Dyke Night” at the Boom Boom Room in Toronto.

  • Femme Haiku

    A young femme contemplates love and loss in the heart of winter in “Femme Haiku.” The film explores the mystical ways in which memory, imagination, and desire haunt our lived realities, as well as specific sites in the world through which we move.

  • In the Hollow

    In May 1988, girlfriends Claudia Brenner and Rebecca Wight were attacked while hiking the Appalachian Trail by a ‘mountain man’ named Stephen Roy Carr. IN THE HOLLOW tells the story of the shooting, Wight’s death, and Brenner’s desperate survival (and later transformation into an advocate for hate crime legislation in the U.S.) as she returns to the trail for the first time since the shooting.  The film combines documentary and narrative film elements, using the actual locations on the trail and dramatizations written by Claudia Brenner and director/screenwriter Austin Bunn based on her testimony. The film follows Brenner as she…

  • Scenes From Another Marriage

    Alex and Chris are a couple who take it upon themselves to remake Ingmar Bergman’s Scenes From A Marriage for the LGBT world. While the pressures of co-directing sometimes fuel tensions between them, they grow even more concerned about some irregularities that seem to befall the set. Namely, they become suspicious that there may in fact be an outside party skulking around. This is confirmed one day in a lull between shots, with a director-like person appearing behind their gear, crew in tow. As this new reality takes hold, and they find themselves pushed and pulled by this ‘other director,’…

  • Caravan Park

    A man getting by on his charm, Steve is a young adult living in a trailer park. When he sees the person who stole his girlfriend, he’s challenged to be more open and accepting of the world beyond his community.

  • The Grand Design

    Filmed in scrumptious outdated super 8, The Grand Design is a glimpse into the reflections of a dying burlesque performer. Vintage black and white clips from stag films of the 1950s are juxtaposed against a muted Tuscan landscape, the home and final resting place of the unnamed woman. The Grand Design is an unapologetic look back at an unconventional life, lived to its fullest, in an almost forgotten moment of pop culture.

  • Occidente

    A film-poem of an ecology of sings that speak of a colonial history repeating itself. Subalterns become masters, antiques become reproducible dinner sets, exotic birds become luxury currency, exploration becomes extreme-sport-tourism, monuments become geo-data. A spherical voyage eastwards and westwards marking cycles of expansion in a struggle to find one’s place, one’s sitting around a table. “An ecology of signs lurking amid seductive 16mm travel footage echoes with post-colonial reverberations in Ana Vaz’s deceptively corrosive, award-winning Occidente. – ANDRÉA PICARD (TIFF, Wavelengths)