Genres: narrative

  • The City And

    On a bleak day in midwinter, a girl travels to her city’s bus station to meet someone. She travels familiar streets and moves confidently. Her relationship with her city changes when no one arrives on the expected bus. She wanders out of the bus station, noticing her city in a new way.

  • Never Sleep

    Muna is a timid nonbinary teenager with the ability to communicate with the spirit world through her dreams. Following the sudden death of their father Ibrahim, they chooses to stop sleeping to avoid having to confront his restless spirit. When Muna’s estranged aunt Naja re-enters their life, their collective grief meets the turbulent spirits of their ancestors, and the two family members must decide whether to remain comforted by avoidance or face their fear of emotional vulnerability head on. With Naja’s guidance, Muna manages to forge a path towards rewriting her understanding of memory, loss, legacy and familial responsibility

  • Honey Moccasin

    The first of its kind in Canada made by an Aboriginal filmmaker, “Honey Moccasin” is set on the fictional Grand Pine Indian Reservation (aka “Reservation X”) and employs a hybrid pastiche of styles that depicts the rivalry between two bars, the Smoking Moccasin and the Inukshuk Cafe, the tale of closeted drag queen/powwow clothing thief Zachery John (illy merasty), and the travails of the crusading investigator/storyteller Honey Moccasin (Tantoo Cardinal). An irreverent parody of familiar narrative strategies, “Honey Moccasin” forges an oppositional aesthetic via its reappropriation of the conventions of melodrama, performance art, cable access, and a “whodunit” style to…

  • Human on My Faithless Arm

    Winner of Honourable Mention (Experimental) at the 1987 Canadian Student Film Festival/Montreal International Film Festival, “Human on My Faithless Arm” shatters the common stereotype of the deaf. The main character, remaining nameless throughout, has rejected “the institution of the deaf” only to find herself, years later, rejected by society. In this multi-dimensional portrait of an individual trapped between self and self-image, issues of sexuality and economics are questioned. This film is an exploration of alienation through techniques of superimposition, sound displacement ,and deconstruction/reconstruction of language, exposing the hearing-impaired women’s comprehension of sound and conversation. “‘Human on My Faithless Arm’ is…

  • I Am the Camera Dying

    A gender-warped tale of Marvette (played by Tracy Wright), a recently deceased heroin addict, who returns to this world as a gorgeous gay sailor who just wants to cruise the boys. A who’s who of local luminaries lend a hand in this funky, funny, experimental ode to mixing it up and making it work, no matter what the circumstances.

  • I Need a Man Like You

    “I Need a Man like You” is funny as it is provocative, and delivers a colourful and zany venue of Toronto’s finest Queen Street performers. Comedian Sheila Gostick is brilliant in her political satire and wildly hilarious as the dancing goddess. Performance artists the Clichettes bring a new awareness to rock culture through their original and unforgettable choreography to some of the great hits of the sixties. Helen Porter, as the killer Dyke in leather, shares a vision of the erotic that is tender, warm, and funny. The film is a timely and playful lampooning of some of the most…

  • I Will Not Think about Death Anymore

    “I Will Not Think about Death Anymore” is a dramatic film about a Jewish lesbian who is obsessed with worries about dying following the death of a friend to AIDS. The fears triggered by this event bring on anxiety attacks common to women at the beginning of a healing process from sexual abuse. The story revolves around an internal adventure and fantasy, where Death becomes a butch dyke in the supermarket. The themes of healing, sexual abuse, dying, and panic attacks intertwine with Jewish identity, and the reclaiming of Jewish ritual for gay and lesbian audiences.

  • I’m Happy, You’re Happy, We’re All Happy, Happy, Happy, Happy

    Velcrow Ripper defines his film, which took four years to make, as “an exploration of a fool’s subjective vision as it becomes warped by society, a gradual transition from dream to nightmare… a cardboard parody, blatantly staged and simplistic.”

  • In Search of the Last Good Man

    Six women meet in an espresso bar and discuss men and relationships. A series of encounters with men who walk in leads to the resumption of the search for the last good man. An upbeat, entertaining film layered with scenes of cut-out animation. “In Search of the Last Good Man” provides a satirical look at contemporary relationships.

  • In the Land of the Owl Turds

    “‘In the Land of the Owl Turds’ is a whimsical tale of a handsome, but decidedly eccentric, young man’s rocky quest for love. Recommended.” – Los Angeles Times “A well-crafted fiction about love and sex and the whole damn thing, the picture boasts an eclectic and good sound track and some promising scenes with the younger Blank, who also stars in the evidently semi-autobiographical film.” – David Armstrong, San Francisco Examiner