Genres: queer

  • Canadian Landscape

    A tongue-in-cheek meditation on the Canadian iconographic obsession with landscape. A (literally) washed-up drag queen on the shores of Newfoundland finds herself trapped in a vicious circle.

  • Hollywood Forever

    Using the Hollywood Forever cemetary as a backdrop (the cemetary that figures prominently in Kenneth Anger’s “Hollywood Babylon”), the filmmaker recounts his visit to Outfest, LA’s big queer film fest. Pigeons sit on grandiose monuments, flying down to snack, as Hollings talks about the perks of visiting an LA film festival as an experimental filmmaker – especially the free drinks and all-you-can-eat buffets.

  • Brian and Lazzio

    “Brian and Lazzio” playfully explores the awkward and funny development of a college romance between two young men.

  • Placebo

    An “undeveloped faggot” has just turned 30 and been left by his boyfriend. Finally, he can remember his dreams. In Spanish with English sub-titles. Selected screenings: Toronto Inside Out Lesbian & Gay Film & Video Festival, 2004; Chicago Gay & Lesbian Film Festival, 2004; Best Student Narrative, Wisconsin International Film Festival, 2004; Sao Paulo Shorts Film Festival, 2004; Mix NYC, 2003.

  • Pangaea

    “Diego Costa’s ‘Pangaea’ delicately employs overlapping images to ruminate on the male body, locating complex, mythical metaphors for human connection in everything from bodily fluids to land masses to text messaging.” – Eric Beltmann, Flipsidemovies.com “‘Pangaea’ is a cerebral trip through the thoughts and torments of a young man who has been used and abused by a lover he thought he could trust.” – Seten Snyder, movies.zertnet.com

  • Coconut/Cane & Cutlass

    The title of “Coconut/Cane & Cutlass” represents the psyche behind the collective memory, history and imagination of Indo-Caribbean people. The film is a mythic/poetic rumination on exile, displacement, and nationhood from the perspective of an Indo-Caribbean lesbian who migrated to Canada twenty years ago. Intersections of the autobiographical voice (in the realm of mythic/memory and the personal) co-mingle with the historical, to produce a film that is neither an “official historical document” nor a “personal history.” Instead, “Coconut/Cane & Cutlass” is a hybrid fusion of the autobiographical, historical and experiential, in an episodic structure that is richly textured and layered…

  • Working Portraits

    A document in the form of a portrait. Shot in June 2000 at Philip Hoffman’s Independent Imaging Retreat in Mount Forest, Ontario, this films stays close to the participants and the film medium itself as they work on their projects. With Becka Barker, Helen Hill, Deirdre Logue, Kelly Krotine, Alexis Rubenstein (1975-2002) and Karyn Sandlos. Thanks to Phil Hoffman, Sabastjan Henrickson of Niagara Custom Lab in Toronto, and the Liaison of Independent Filmmakers of Toronto. “Process must not be viewed as a goal or an end in itself, nor must it be confused with an infinite perpetuation of itself.” –…

  • Solo

    A single gal venturing into a bar finds a groove all on her own.

  • Liselda’s Birthday

    The death of her friend Corin spurs Liselda, a trans MTF, to recall her existence in Mexico. Her quest is to gain legal refugee status in order to obtain a sex change operation, acceptance and happiness in her adopted home of Toronto. In Spanish and English with English subtitles. Selected screenings: Inside Out Lesbian & Gay Film & Video Festival, Toronto, 2005; AluCine Latino Film & Video Festival, Toronto, 2005

  • Maricones

    Set in the marginal neigbourhood of Corongo and the cobblestone streets of Lima, Peru, “Maricones” unveils the many paradoxes and advances of a sexual revolution that is sweeping the world at the dawn of the 21st century. The documentary was inspired by the contradictions and preconceived assumptions of a machista society. Director/producer Marcos Arriaga challenges local beliefs by asking whether another world is possible. “Maricones” introduces us to Eusebio, 58, a gay man from the popular neighbourhood of Corongo where Marcos grew up. A former male prostitute and cabaret dancer, Eusebio is a neighbourhood personality who supports his deceased brother’s…