Genres: queer

  • Lily In The Grinder

    Kaleidoscopic, operatic, and layered, Lily in the Grinder explores meaning through sex, death, and time. We already are everything we will ever be.

  • I REALLY LIKE YOU

    Michael runs a diner frequented by people looking for casual sex. Loveless, he swoons over the most recent visitor, Brandt. When Brandt reveals that he’s not interested in love, Michael does not take well to being rejected.

  • 100 Crushes Chapter 6: They

    “The director’s feelings of envy and resentment of a roommate’s pronoun-of-choice eventually evolve into delight in one simple word. This freedom allows for new embodiments of gender—as beautiful and strange as a unicorn, a pair of wings or a bouquet of roses.” — Inside Out 2014 Toronto LGBT Film Festival

  • MY WOUNDED HEAD

    A transwoman puts on makeup. The makeup and her movements are a metaphor for her transformation, as well as the dialectical revealing and concealment of herself from the scrutiny of the outside world. Taking its title from Marc Chan’s composition, MY WOUNDED HEAD is an experimental short film that investigates issues of representation, preconceived notions and reflexivity. Marc’s music, featured in the soundtrack, is itself a reflexive reinterpretation of a set of chorales from Bach’s St. Matthew’s Passion, “O Haupt voll Blut und Wunden” (“O Sacred Head Now Wounded”).

  • SPANKIN

    An anagram of “napkins,” SPANKIN transposes the gay hanky code of the 70s onto contemporary coffee culture. Although humorous in content, SPANKIN is an allegory for hierarchical relations within minority groups, consumerist co-optation of identity, and the collective historical forgetting of repression and resistance. The older man has lived through it, the middle-aged man has heard about it and needs to look it up, while the young man is oblivious. Inspired by the criminalization of homosexual behaviour in Russia, India, Nigeria, and Uganda in 2013, SPANKIN revives the handkerchief code formulated during a similar period of suppression in North America…

  • ANCESTRIES

    An anagram of “resistance,” ANCESTRIES is a layered piece that encodes the dialectics of colonialism, de-sexualization, desire and resistance. An Asian is seduced by, and in turn, seduces a Caucasian whilst simultaneously reframing and performing two arias from Samson et Delilah by Camille Saint-Saëns. ANCESTRIES suggests possibilities for resistance vs. outright rejection by having the Asian turn the colonized culture against itself. At the same time, it brackets the Western de-sexualization and feminization of Asian males (and high voices), while simultaneously exemplifying and subverting the stereotypes of submission. The use of male bodies also calls out the worship of hard,…

  • DELILAH JUKEBOX

    DELILAH JUKEBOX (aka DJ) toys with the notion of loops, repetition, and dichotomy like the A-B sides of a vinyl record. Delilah is not just a woman, she is the embodiment and projection of fear and fantasy; her name conjures diverse images and prejudices of the lover, the traitor, the fallen woman, the temptress, the patriot, and the vengeful, etc. Through a series of repetitions of Delilah’s aria “Printemps qui commence” (from the opera Samson et Delilah by Camille Saint-Saëns) in a series of domestic spaces, male mezzo Stephen Chen explores the representation of the feminine by deconstructing and re-imagining…

  • 7 LETRAS (7 LETTERS)

    Jesús has a secret and he’s about to share it.

  • The Age of Insecurity: Bed Buds

    After a night out, two buds talk where they’re most comfortable – in bed.

  • An Evening with The Impostors

    For more than a decade, Mirvish Productions operated La Cage Theatre in downtown Toronto. The theatre’s resident performers, The Impostors, have earned rave reviews over the years but it’s the show’s final number that gives them a major standing ovation. In An Evening with The Impostors, the group prepares to bring their high-glam drag spectacle to the small town of Port Hope, Ontario. The Impostors are ready, but is Port Hope ready for The Impostors?