Genres: queer

  • Christian Porn

    When the Saskatchewan Opposition party whipped Regina into a frenzy over the spending of tax dollars on screening gay porn, all hell broke lose. To overcome the uproar and win the hearts of the Christians, in steps BROTHER LOVE.

  • Sudden and Unexpected

    “Like the beginnings of his films, the endings too are halting. In ‘Plotzlich und Unerwartet (Sudden and Unexpected)’ Udo Kier shuts a door after saying goodbye to the camera, signaling the abrupt end to a maze-like plot which loops around itself, so that the order of events remains opaque (we see the same event from three different perspectives but they seem to occur sequentially).” – Alice Kuzniar, Audacious Allegories: The Queer German Cinema

  • camp

    Based on real-life experiences, “camp” recounts the stories of homosexual survivors of the WWII concentration camps. A series of short, expressionistic vignettes weave together these horrific experiences. Part documentary, part drama, “camp” uses a variety of mediums to explore the emotional reality of those marked with the pink triangle.

  • Take-Out

    In this coming-of-age tale, Rory is a typical high school student – he runs track, smokes up, and has a lousy after-school job. His career so far consists of delivering chicken to suburbanites. But on a delivery like any other, Rory meets Pete, a middle-aged man in the midst of a breakdown, and Rory is drawn into a friendship with him. Their platonic friendship proves to be a catalyst: Rory’s sexuality forces him to reconsider his small world, as his curiosity propels him to take a risk. This film explores the challenging, heady and painful process of a teen’s understanding…

  • Diva, BS

    A thinking man’s look at the supremo diva, Barbara Striesand. Is she still relevant? Is she still necessary? Has it all been worth it?

  • Wilma’s Sacrifice

    This film tells the tale of young Wilma’s (Kat Lanteigne) romantic escapades with Christine (Jen Wilson) a woman from the “outside” world. Surrealistically set in the 1950s, the town of Eden is a place where the air is haunted with silence. Wilma has to choose whether to redeem herself in the eyes of her religiously obsessed brother James (Mar Andersons), her neurotic chain-smoking Mother (Carole McCormick), and her opprobrious Father (David Fredericks), or escape Eden, a place where one can never feel quite clean enough.

  • Odessa

    In a threnody for the losses of a century, and his own hundred deaths, the androgyne Odessa reflects on brutality borne from a hundred years of sexual theory. This film, through the eyes of its pan-sexual hero/ine, is Beveridge’s polemic against progressivism, eugenics and technology.

  • Difference, La

    A wild animation about a wild imagination. In a bar, a place of mystic scenes, Kim is dreaming of his wish of being a woman. His dreams turn into reality through the help of a bartender who is not as he seems to be. This is a story about gender confusion and confusion of transexuality and transvestitsm.

  • Licked

    A go-go-get-it girl looks for love in the fine features of many a plate, only to end up falling face first into her one true dish.

  • Grasp

    A gang of girlfriends plays together. Through their games one wonders when we stop feeling what we play at and start becoming a reflection of what others have told us to feel, particularly in a landscape where people seem to conjure up the deepest of emotions for the simplest of objects.