Genres: queer

  • First Comes Love

    “First Comes Love” is somewhat like an extended musical number, with perfectly choreographed scenes of four traditional wedding ceremonies accompanied by a schizophrenic but amusing medley of popular love songs. The celebratory atmosphere is interrupted midway through to remind us that there are still a few countries in the world that refuse to legitimize homosexual unions. The film doesn’t attempt to defend – or discredit – the institution of marriage. Instead, it reveals many subtle emotions surrounding the events and raises questions about how the double standard regarding marriage affects both gay and straight couples.

  • Outcognito

    Fear meets gay desire against an audio background of sitcom homophobia and jarring personal testimonies. Textured layers of figures, rotoscoped and real, move in and out of difficult scenarios, resolving into knowing acceptance.

  • The Shiva Callers

    When a closeted woman’s girlfriend shows up unexpectedly to her grandfather’s shiva, she must do anything in her power to stop her family from finding out.

  • REBIRTH

    “A dance ritual which turns into recreation of the self.” Transformation is a dance ritual. With every move you are born again. With every little step, you cut the umbilical cord. With every turn, you create a new shell.

  • Royal Jelly

    The film begins in abstraction, then we are greeted by a drag queen that we follow down the rabbit hole to meet the menagerie of people that have become her community.

  • Vertical Lines

    Dave and Andrew reach a new level of closeness in their relationship when they share their personal experiences with self-harm. Best Screenplay, Future of Film Showcase (Toronto, ON), 2019

  • End Conversion Therapy

    A survivor of conversion therapy navigates the New York dating scene.

  • Reinaldo’s Motifs

    In 1927, Reinaldo Ferreira, a well-known journalist and writer who published under the pen name ‘Repórter X’, founded the cinema production company Repórter X Film, through which he directed four films that same year. Among them we find “O Táxi no. 9297” and “Rita ou Rito?…”, where homosexuality, transvestism and drug use feature explicitly in Portuguese cinema for the first time. “Reinaldo’s Motifs” is an audiovisual essay that focuses on a series of recurrent motifs in Reinaldo Ferreira’s cinematic work. A commissioned work by the Cinemateca Portuguesa, in which I tried to play around with these recurrences, in a manner…

  • Flash Flood

    Deep within a dream, a cataclysmic flood washes over the planet, and reveals three unique perspectives on gender and identity. The film is animated by volunteer transgender artists and animators from across the globe.

  • My Fuzzy Valentine

    Put the Playboy centrefold in the hands of a Dyke and she will make her into a monster. A pulsating world of bug-eyed lesbian sasquatches and vaginal caves created from reclaimed textiles. Visual artist Allyson Mitchell’s shape-shifting materials and colors explode off the screen on hand-processed and scratched 16mm film.