Language: Arabic

  • your father was born 100 years old, and so was the Nakba

    A Palestinian grandmother returns to her hometown Haifa through Google Streetview, today, the only way she can see Palestine.

  • Eid

    “Eid” follows two Palestinian women who are unable to visit their son’s graves. Eid explores the impact of borders and restrictive laws on fundamental human rights, focusing on the right to grieve. The film is inspired by the true story of Abdelaziz Ibrahim, an artist for the Palestinian Liberation Organization, who was killed by an Israeli airstrike in Tunisia.

  • Teta, Opi & Me

    Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an intergenerational dialogue that explores themes of family, love, and the intermingling of cultures.

  • Salma!

    As Hadi is swept into a flood of childhood memories from Lebanon, he steps into the dreamlike whimsical world of Salma Zahore. A creature that encapsulates both the conflicts of his life and his declaration of love to the world. Neither male nor female, neither devout nor an atheist, neither dutiful nor deviant, both sexual yet celibate. Faceless, yet the face of hope for so many around them.

  • Blood Like Water

    Shadi embarks on a secret adventure, and accidentally drags his family into a trap where they only have two choices; either collaborate with the Israeli occupation, or be shamed and humiliated by their own people.

  • Adieu Ugarit

    In 2012, Mohamad had witnessed his best friend gunned down by an armed militia on the outskirts of Damascus, Syria; the blood spilled into the lake contaminated his memory. Ten years later, the reflections on the Laurentian waters bring back Mohamad’s trauma. I asked him if he’d like to dig out the memories, to repair the pain by retreating for a few days into the most distressing calm possible for him. He tells us about death, immigration and anger. We wonder how and why we should tell this story.

  • Don’t Take My Joy Away

    In the Shatila Palestinian camp in Lebanon, two friends, Omar and Omar, find moments of joy amid hardship until sudden violence forces them to confront loss and survival.

  • Landmarks of Memory

    A tattoo ritual and hookah session memorializes a pre-war flower shop. After seeing its storefront in archival footage of the Lebanese Civil War, a first-generation daughter seeks information and connection to place. Scenes of 1976 Beirut are paired with today’s developed landscape, while roses are etched and coconut coals burn in a snowy diasporic setting.

  • Jaddoland

    A visit to my mother’s home art studio in Texas prompts a deeper exploration into the meaning of home across generations and landscapes.

  • Amal’s Garden

    Amal and Mustafa are an Iraqi Turkman couple that have shared a long life together in northern Iraq. When Amal decides to renovate their home after a decade of war, Mustafa retreats to the garden, where he encounters the curious gaze of his grandniece and her camera.