Language: English

  • Tracking Sasquatch (field report #2)

    A search for the elusive Sasquatch. The second chapter in an ongoing series. [with text from reported Sasquatch sightings in Colorado]

  • Tracking Sasquatch (field report #3)

    A search for the elusive Sasquatch. The third chapter in an ongoing series. [with text from The Sasquatch Field Research Manual (Enigma Research Group)] More on the Tracking Sasquatch series: http://cbattle.com/tracking-sasquatch-3/

  • ARTIFACT (circa 2006)

    The archaeology of Identity. Consider a world where all human communications are represented by numbers, a digital world. Imagine a future archaeologist finding a DV cassette from hundreds of years ago (a real found object, circa 2006, full length and uncut). Imagine trying to decode this ancient digital object, codecs unknown, obsolete, hardware long lost. Crack the code? Available algorithms scan, databases compare, construct, deconstruct, reconstruct the artifact. 2006, the dawn of self-by-numbers, digitized identity. What human fragments, fugitive narratives, remain? Do we have a future history? What will the algorithms decide? All bookings of this film include a free…

  • the framing of perception

    “I saw the light…” Sun, light, darkness, shadow — from time immemorial all weighted with significance and wonder. What mastery over nature, over others, to grasp the sun, control light itself! Know its speed, its heat, its colour, its radiation, its nature – is this not the power of the gods? Cinema is messaging with light and shadow. Figure and ground. Light, onto which we project significance, now transports our information. Perception shaped by our experiences, our interpretations, our projections, our illusions. Frames of drama and comedy, journalism and documentary, propaganda and advertising, all combined daily and edited, reproduced for…

  • Letters From Vancouver

    Letters from Vancouver (1973) comprise two films, made at the same time, that share a common interest in “the medium is the message” (McLuhan), and form a reflexive, self-referential enquiry into the film medium itself. Together, “the politics of perception” (33min)and “the framing of perception” (33min) form a meditation on our audio/visual creation, bearer of information and culture, meaning and representation. It is a medium with extraordinary powers, able to evoke the deepest feelings of love and loss, anger and fear, laughter and thoughtfulness, yet of great fragility, fading with time, precarious on a perforated strip of celluloid.

  • They Looked at Me and I Smiled

    Artists who use their bodies as their medium or canvas while existing in their natural environments. Are they performing? Do their performances end after the makeup is removed? Can a performance continue in an empty apartment instead of in front of an audience?

  • Forties 87

    A video reading of Jackson Mac Low’s “Forties 87, A Stable Person,” made for Counterpath Press in Denver.

  • What’s Ours and What We Are

    In “What’s Ours and What We Are,” images, motifs and words that originally served a particular political agenda are playfully manipulated to distort and re-contextualize their original status, satirically articulating the purpose of propaganda which is to ‘speak to’ and ultimately to persuade a spectator.

  • Hear Me

    A formal collage of various song bites that expresses feelings of anxiety and depression. Uses music and lyrics to describe struggles with mental health / finding hope. I collected lyrics for a couple months that I connected with and helped me understand and describe my struggles with mental health. Then I stitched them together in a poem of sorts. The poem as well as the imagery are jumpy and mimic what goes on in a spiral or panic attack (at least for me) as I move through a dark space and back toward light.

  • Main Squeeze

    A couple in an open relationship have their holiday slumber shattered by the unexpected arrival of a secondary partner, who is drunk and on an ill-conceived mission to establish her romantic dominance.