Language: English

  • The Pond

    A pond in a New York suburb holds a space for contemplation and voyeurism.

  • summer femme winter butch

    a dyke rationalizes her dressing style

  • disconnected

    Experimental rumination on depression. Inspired by Lost Connections by Johann Hari and Moving Through Depression by Laurel Swenson

  • Private View

    A view out my window and worries in my head. — A PRIVATE VIEW is a site-specific collective screening series curated by John Woods and created as a part of Iris Film Collective’s IN HOUSE series. What is private space and what is public? In the subdivided landscape of Vancouver privacy can be evasive, but each of us views our home as our castle and our homes’ windows give us a unique vantage point that is ours and ours alone. Iris member John Woods gave a roll of expired colour film stock to each of the members of the collective…

  • GIRLBAND

    Life on the road. It’s not easy. 50 hours of cub tour footage (1994 & 1996) boiled down to this. Thanks to Canada Council for the Arts, Vtape, Trinity Square Video and FAG for support.

  • 581 Bloor Street West

    A chunk of Toronto’s real estate, a historical landmark in fact, as it sits, in a state of sad transition.

  • 86 SE Marine

    A chunk of Vancouver Real Estate as it sits, stuck in the no-zone. —– In 2016, Iris Film Collective presented the first Vancouver Edition of One Take Super 8. 26 artists (IFC members and invited artists) were given one role of either Black and White Kodak Tri-X 200D or Colour Reversal Agfa 200D cartridges. All editing was done “in camera” as it was shot, and the film presented just as it was filmed. No peeking before the night of the screening, it’s straight from the Lab to the Screen. Artists chose to play their film silent or provide sound for…

  • Following the Object to Its Logical Beginning

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”. Presented at the Whitney Museum of American Art’s “American Century”, 2000.

  • Sermons and Sacred Pictures

    SERMONS AND SACRED PICTURES profiles Reverend L.O. Taylor, a Memphis-based Baptist minister who in the 1930s and 40s built a fiery reputation by lacing his sermons with parables, fables and dramatic visual descriptions. Taylor was also an inspired photographer and filmmaker with a keen interest in preserving a visual and aural record of the fabric of black American life. He photographed and filmed businesses and schools, the National Baptist Convention, baptisms, funerals, and individuals in the quiet dignity of their everyday lives. Over the years he compiled an extraordinary record of Southern black life before the Civil Rights movement. This…

  • The House of Science: a museum of false facts

    “Throughout ‘The House of Science’ an image of a woman, her brain revealed, is a leitmotif. It suggests that the mind/body split so characteristic of Western thought is particularly troubling for women, who may feel themselves moving between the territories of the film’s title –house, science, and museum, or private, public and idealized space — without wholly inhabiting any of them. This film explores society’s representation and conceptualization of women through home movies, personal reminiscences, staged scenes, found footage and voice. Sachs’ personal memories recall the sense of her body being divided, whether into sexual and functional territories, or ‘the…