Language: English

  • Human Walkers in Motion

    The walk inhabits our being and governs our social space. Side by side or face to face, it implies an exchange. When combining everyone’s specific pace, a hidden harmony arises. Reconnecting with Eadweard Muybridge‘s work, this film projects us into the frenetic rhythm of the steps of fifty walkers.

  • The North Sea

    “As Benjamin had predicted, nothing brings the promise of happiness encoded at the birth of a technological form to light as effectively as the fall into obsolescence of its final stages of development.” – Rosalind Krauss Supported by the City of the Toronto through the Toronto Arts Council.

  • The Way We Are

    “The Way We Are” shares excerpts of stories from audio interviews with 4 queer Asian women living in Toronto: Katherine Chun, Wenda Li, Tamai Kobayashi, and Nancy Seto. Told in the present-tense, these stories are arranged in a way that explores the past as the present, and in doing so, immersing viewers into the real-lived experiences from a different generation. This film was inspired by the intimacy of looking through a photo album with loved ones; there is something nostalgic about the materiality of handling photographs, especially in this digital era where images are so increasingly ubiquitous. The act of…

  • sway

    A sequel to the pandemic-themed reflection “still”, “sway” explores the seductive – and destructive – pull of fear.

  • Before You Go

    A hybrid-documentary centred around a mother and daughter and their differing relationships with Iran.

  • Green and Red, But Terracotta Red

    We are looking through the mirror of time, into distorted memories, while several narrators tell us about the most vivid colours in their dreams. The film consists of a collage of 16mm found footage that I further processed and decayed using a gentle combination of bleaching techniques. This process allowed me to partially lift the emulsion from the film base and re-shift it and re-position it by hand. Faces are warped, homes collapse, memories fade and blur.

  • Toad, Leaf, Grass, Rock

    A 16mm hybrid visual poem, at the crossroad between intertextuality and documentary. This film “plays” with images in an enigmatic way. Weaving, in the words of Eugenio Montale, a disappearing and deserted suburban landscape into the fabric of images, sounds, and textures of two far away lovers yearning for each other.

  • Autoritratto

    A short piece commissioned by Antimatter Media Art, a “portrait of the artist by the artist”, first exhibited as part of Automat compilation. It consists of recycled 8mm footage of Canadian landscapes, mixed materials, ink and film cement. As an immigrant, looking for, and collecting, past images of Canada is a way of imagining a past that I don’t have in this country. The re-writing of the self is produced through the archive of others via associative montage.

  • Keep Both Eyes Open (All the Time)

    Keep Both Eyes Open is an obliquely autobiographical film in three sections. Found footage, home movies, and video processing are used to present matters of family, conflict, legacy, and inheritance. Inspired by the sudden resolution of a familial mystery.

  • The Sweater

    Historian Carolyn Steedman, in writing about her own working-class childhood, describes how, for children of working-class families, it is often the mother and not the father who embodies power. The child experiences a father who is relatively powerless in the larger social world outside the home, so that even if he is physically powerful, as my father was, he can simultaneously be perceived as a weak man. “The Sweater” blends 16mm hand processed film with found footage and video to explore childhood memories triggered by finding the last thing my deceased father gave me. Using short vignettes, I tell several…