Language: No dialogue

  • Summer 1975

    summer 1975 is an animated film based on one year in the filmmakers fractured life. Hand drawn rotoscoped figures are layered with stills and live video footage to create an open narrative based on events in his life that took place in 1975. He was 13 and this was a pivotal year for him in many ways. He discovered the magic of animation and was hooked. He made his first animated film with his best friend, they locked themselves away for the whole summer to complete it. 1975 was also the year that he had his first sexual experience, with…

  • Seasons Fall

    Fragments of a forest trail – a path traveled many times, never the same way twice.

  • Dark Adaptation

    Dark Adaptation extends the experiments with alternative optical systems I began in Refraction Series (2008). These films are rooted in the experiments and writings of Ibn Al-Haytham and Isaac Newton, pioneering investigators of the nature of sight and light. In them I use fundamental phenomena such as refraction and thin-film interference to create images of pure prismatic colour in motion. Dark Adaptation is both a true representation of a series of tiny performances with light that were recorded by the camera, and an analogue for an interior journey. The music is by Graham Stewart of Violence and the Sacred. “Dark…

  • 24.24.24

    24.24.24. is a view of a day in concurrent time. All of the day’s twenty-four hours are presented at once. In the minutia of time, banal events unfold and are made extraordinary through the camera’s gaze. People go to work and to school, time is stretched and skewed, the act of taking a walk or watering a lawn develops a magical quality. Light gains character, shadow reshapes objects, and time becomes palpable. Take a look.

  • Gibraltar Point (transformed)

    Erratic flashes of light spark across a flickering expanse of Lake Ontario. The image itself can’t be contained as light and debris spill outside the frame. The random alchemy of hand-processing techniques creates a landscape that transcends the observable, edging into the sublime. The ninth work in an ongoing series of poetic landscape films. “Gibraltar Point (transformed)” was created during a residency at Artscape Gibraltar Point on Toronto Island. Shot on black and white 16mm film, hand-processed, then transferred digitally with an ambient sound design by Michelle Irving. Selected screenings: Festival International du Film sur l’Art (Montreal, QC, 2017); Antimatter…

  • =

    “Making use of a dizzying array of anti-gay protest footage captured and posted on the internet, Mead’s protagonist bears witness to the fractures, shifts and resistances that have brought us to this time in LGBTQ history.” (in/future 2016)

  • The Films of David Rimmer

    Available for purchase in the CFMDC Shop: https://www.cfmdc.org/shop. This three-volume set brings together some of David Rimmer’s most seminal early works. Born in Vancouver, BC, Rimmer has been a pivotal figure in the city’s art scene since the early ’70s. Known for his experimentation with superimposition, looping and optical printing, Rimmer’s aesthetic reflects a “West Coast sensitivity to landscape, poetry and psychedelia” (Chris Kennedy). Volume One Square Inch Field -1968 / 13 min / 16mm / CLR / Sound Migration – 1969 / 11 min / 16mm / CLR / Sound Landscape -1970 / 8 min /16mm / CLR /…

  • DataMine

    “DataMine” is a stop-motion indictment of surveillance society; laboriously animated by hand with light painting to create surreal imagery without the use of computer generated images. Society embraces an ever-increasing connection to technology, creating digital communities that distract us from our real world existence. As our lives exist more and more in the digital realm, they are catalogued and stored for future mining by corporations and governments. This activity of data mining raises many questions regarding the future of activism and creativity – that which makes us human. In the intricate world of “DataMine,” the oblivious masses are catalogued and…

  • South Lakewood North

    A personal landscape film of time and memory and a porch. A time-tunnel of moments and experiences.

  • Mount Misery

    Emotionally drained after learning of the death of her long estranged sister, an elderly woman spends the day lost somewhere between her past and present and her conscious and subconscious mind. In this state, she ponders the inevitabilities of life, death and the hereafter. “Mount Misery” won Best Film prize at the Black International Cinema, Berlin film festival, 2017.