Language: No dialogue

  • Twilight

    Exploring the relationship between sound and picture, this film is inspired by the two lights (twi-light) found inside of film projectors. The animation was created by applying both sound and picture directly onto 35mm film. After the soundtrack was created, each individual sound was assigned a specific shape and colour that repeats throughout the composition. Visual shapes were airbrushed and hand-painted onto orange mask (negative film), then printed positive for further manipulation by bleaching or scratching into the film’s emulsion before the final print copy was made. Sounds were made by drawing Spirograph moire patterns onto clear mylar sheets. The…

  • TV

    Transformational Vibrations (TV). Sound vibrations are interpreted as images in this abstract film. Resonating cycles of rhythm build until every frame contains a sound. This is an experimental animation created by applying both sound and picture directly onto the 35mm film. Once the soundtrack was created, each individual sound was assigned a specific shape and colour that repeats through out the entire composition. Visual shapes were airbrushed and hand-painted onto orange mask (negative film), then printed positive for further rendering by bleaching or scratching into the films emulsion before the final print copy was made. Sounds are made by hand…

  • SENSORS

    In the summers of 2017 and 2018 record breaking forest fires dominated British Columbia with the number of forest fires in 2018 exceeding the 2017 record. One key difference between the two years was the timing of the widespread outbreaks. In 2017 the BC interior was inundated by haze and smoke as of early June while in 2018 the haze and smoke didn’t engulf the landscape until late July. Up until then the temperatures were relatively mild with enough moisture to create light conditions that were some of the most interesting I’ve seen in years. As satisfying as the early…

  • Flying to Nowhere

    A flock of seagulls persist in the senseless attempt to move forward against heavy winds coming off the ocean.

  • Senescent Vivarium

    Bordering on the fantastic, “Senescent Vivarium” represents four distinct seasons created by plants and insects selected to imitate authentic biospheres. These macro worlds are architectural masters of their own domain yet defy traditional still life representations. Transient narratives of familiar ecological cycles are pushed further into supernatural territory by the effects of hand processed 16mm black-and-white film, and a deeply atmospheric sound score.

  • Three Casualties

    “Three Casualties” is an investigation of three movie scenes, showing stunts that lead to the deaths of the stunt doubles performing them. In some cases these scenes remained in the films whereby the audience witnessed an actual death on screen while simultaneously watching a fictional one.

  • Wayward Emulsions

    Fleeting cinematic impressions of a wayward woman are captured in the oblique wanderings of emulsion lifted from stray reels of 35mm film. Winner, Experimental Short Grand Jury Prize, Slamdance Festival 2019

  • Sworded Love

    Fleeting cinematic impressions of star-crossed swordsmen are captured in the oblique wanderings of emulsion lifted from a stray reel of a 35mm kung fu action film.

  • Lift Little Tokyo

    Maps and memories of Little Tokyo’s historical district of Los Angeles are uplifted via scotch tape transfers.

  • Ocean III

    Ocean III is part of a series of films loosely connected by a similar process of cinematography that sees the operation of the camera as a kind of intuitive performance; specifically the way lenses, filters, and camera are manoeuvred in a single long take to create an impression of a space, while also frequently abstracting it.