Language: No dialogue

  • Symbiosis

    Occasionally I’m able to spend time in a place where I can observe how the natural world takes shape outside the anxious time frame of our hurried species. In this world relationships seem to have evolved to perpetuate balance over long periods of time as opposed to short cycles of calm interspersed with brief periods of chaos. Overruns and schedules don’t appear to exist there as they do in our manufactured world. Symbiosis is defined as a close, prolonged association between two or more different biological species. This relationship can be symbiotic (mutualistic), where both parties involved benefit from the…

  • Anything Can Happen

    Nighttime. Dogs are barking in the distance. We hear motor sounds and the headlights of a car clicking on and off, and see little sceneries along the road briefly illuminated. An unseen driver connects these momentary landscapes. The headlight beams remain the only light source and actual character throughout the approximately four minutes of rhythmic imagery, in an eerie audiovisual composition. Nothing is incidental, but at any moment “Anything Can Happen”.

  • Tabula Rasa

    “Tabula Rasa” is an exploration of space both on and off the screen. As a rhythmic composition of silent white surfaces, mumbling pine trees, humming motors, babbling crows and unsettling rain in the desert, it questions the current state of its own media, but at the same time portrays a location: Smith’s Ranch Drive-in Theater, Twentynine Palms, California.

  • Pirate Bay

    “Pirate Bay” is a musical film portrait of a beach-based fishing fleet in Hastings, in south-east England. A stroll on a stormy late winter’s day leads us along the dormant boats lying on the beach at low tide. Through the rhythmic montage and a jazz composition with its fragmented tones, the tourist seaside town becomes an abandoned battlefield studded by plundered ships, recalling constant quarrels on and about the sea. A sparse dystopia by Lisa Truttmann, with music by Guido Spannocchi on alto sax, featuring Gina Schwarz on double bass.

  • OUT

    OUT, colour, QuickTime, Pro Res 422, stereo, 1 minute Two animated male figures are drawn together and pulled away until they fall into a pit of protesters. Then, a frightened look quickly disappears into the darkness. OUT is a one minute film that touches on the rising fear of being out during a global climate of growing hatred and pushback against LBGTQ rights and freedoms.

  • Ecopoiesis

    In moments of monstrous pareidolia, all the things that we don’t consider alive form a new world, a world in our image. Ecopoiesis explores the concept of terraforming, reimagining it through the lens of cosmic horror. Blurring the lines between terrestrial and extraterrestrial, the film invites viewers to challenge their perceptions of human impact on an alien environment, as the visual and auditory landscapes evoke a sense of planetary unease. Within its abstract representation, Ecopoiesis delves into the ethical and existential dilemmas posed by transforming foreign worlds by infecting them with humanity.

  • Fluss

    A journey down the Danube River is transformed into a dream space of half-seen images and flickering shorelines. Though at times abstract, the river remains certain, always moving towards the sea. Filmed in black and white 16mm and hand-processed, Fluss is a companion to River (2023), a study of the Ottawa River in winter. Commissioned by Ottawa’s Lightproof Film Collective.

  • Western Brook Pond

    A boat trip through Western Brook Pond, an ancient fjord in Newfoundland’s Long Range Mountains, carved out over millions of years by tectonic activity and glaciers. Western Brook Pond was shot on video and 16 mm film, which was hand processed with apples and coloured with turmeric and walnuts. Note: Contains strobe effects.

  • Gan Tang, The Lake

    In the summer of 2023, the government of Jiujiang launched the Gan Tang Lake Cleansing Project. Within weeks, this ancient lake with over two millennia of history was drained. Nearby in Gan Tang Park, a boy wakes up in the rain. There, the destiny of Gan Tang awaits.

  • People On Sunday

    People on Sunday is filmed using the technology of hand-crancked cinematograph camera invented by the Lumière brothers’. The instability and volatility of the image produced by the filming technique characterizes Viita´s film which title refers to the German classic Menchen am Sonntag (1930) – a well-known example of how history and the passage of time affect the interpretation of film. The inexorable passage of time and the beautiful fragility of life are central themes in both films. Does man learn anything from history, or are we doomed to make the same mistakes over and over again? People on Sunday presents…