Language: No dialogue

  • L’Internationale

    In a foreign landscape, futuristic factories and boreholes harvesting geothermal steam serve as beacons of familiarity in the face of an unknown future. Selected screenings: Best Experimental, Chicago Underground Film Festival; Signal & Noise Media Art Festival (Vancouver, BC), 2011; Honorable Mention, Milwaukee Underground Film Festival, 2011

  • Manholes (Brian)

    The “Manholes” series takes a pan of a single male figure and fragments it into a grid of peepholes. The microscopic mapping of the body is intimate yet clinical. The cascading body parts create a kaleidoscope of changing skin tones. It is difficult to find the point of origin on the subject’s body, though occasionally signifiers make it possible; an eye, a nipple or the toes suddenly orient the viewer. The quiet audio combines electric currents, rushing water and vocals that mimic the visual energy and its meditative quality. “Manholes (Brian)” is a looped installation, but it is also available…

  • Manholes (David)

    The “Manholes” series takes a pan of a single male figure and fragments it into a grid of peepholes. The microscopic mapping of the body is intimate yet clinical. The cascading body parts create a kaleidoscope of changing skin tones. It is difficult to find the point of origin on the subject’s body, though occasionally signifiers make it possible; an eye, a nipple or the toes suddenly orient the viewer. The quiet audio combines electric currents, rushing water and vocals that mimic the visual energy and its meditative quality. “Manholes (David)” is a looped installation, but it is also available…

  • Manholes (Kevin)

    The “Manholes” series takes a pan of a single male figure and fragments it into a grid of peepholes. The microscopic mapping of the body is intimate yet clinical. The cascading body parts create a kaleidoscope of changing skin tones. It is difficult to find the point of origin on the subject’s body, though occasionally signifiers make it possible; an eye, a nipple or the toes suddenly orient the viewer. The quiet audio combines electric currents, rushing water and vocals that mimic the visual energy and its meditative quality. “Manholes (Kevin)” is a looped installation, but it is also available…

  • Milkman & Milk Bath

    In “Milkman”, a seated male figure sits staring endlessly ahead, his gaze locked on the viewer. Milk is streaming from his nipple and into a glass that he holds in his left hand. The continuous flow of milk never seems to fill the glass. The sound of the flowing milk creates a human fountain out of this portrait. In “Milk Bath” a man’s face sits like an island in the middle of a pool of milk. His facial hair slowly grows then disappears, the left side independent of the right. In the same fashion, his eyes are adorned with make-up,…

  • Under/Stand

    Over 2500 hand drawn frames create a rotoscope animation of a figure that continuously climbs and falls from a bust of the artist. As the animated figure moves around the bust he exposes different parts of the artists own skin. The performance is an endless loop as he struggles to reach the top. His victory is short lived though as he stumbles shortly after he reaches the summit. After the fall he simply brushes himself and begins the climb again. “Under/Stand” is a looped installation, but it is also available as a 2.19 minute piece. For installation pricing, please contact:…

  • Zero Visibility

    An experimental film about the Victoria Bridge and the relative possibility of being seen under the conditions of distance, light, and atmosphere prevailing at a particular time.

  • Back View

    The Upper West Side has some of the tallest brick apartment buildings in NYC. The orderly but deserted and aging concrete courtyards, their metal stairs and shafts, register a dramatically changing atmosphere. This is a cinema that seeks to observe, obscure, shorten and protract, and redefine, while remaining open ended. Selected screenings: Views from the Avant Garde, New York Film Festival, 2011; Off and Free Film Festival (Seoul, Korea), 2011

  • Tableaux Vivants

    A rumination on cinematic time reversals as versatile continuums. Re-discovering the outdoors as (a stage) set where the natural is made to pose as the artifice. Selected screenings: Onion City Experimental Film & Video Festival (Chicago, USA), 2011; Views from the Avant Garde, New York Film Festival, 2011

  • Armoire (in 4 parts)

    A four-part study of motion, shape and colour inspired by a robin’s flight. “The aviary in the mirror, in-flight hide-and-seek, mischief on the wing.” – Mark McElhatten, Rotterdam Film Festival Consists of: “Armoire Prologue” (2:40, 2007), “Coda” (2:30, 2009) and two new episodes (2011). Selected screenings: Views from the Avant Garde, New York Film Festival, 2011; Festival du nouveau cinéma (Montreal, QC), 2011