Language: Spanish

  • Scaffolding (Andamio)

    Eduardo, a snob publicist who lives cranky most of the day and David, a shy student of literature are neighbors in a building under construction. After 6 months hardly greet a scaffold intercede between them causing unexpected reactions in each. Spanish with English subtitles

  • Neither God Nor Santa Maria

    Since airplanes did not exist, people moved around using prayers, they went from one land to another and returned early, before dawn. In old audio recordings, the voices of pastors speak of the mythical existence of witches and their travels. In the daily life of a woman the magic of her tales begin to materialize as night falls. Night is the time when travel is possible.

  • Boardwalk Músico

    A young trombone player from eastern Cuba, Liuber Martínez, came to Havana to make it as a musician. With Havana’s iconic seaside boardwalk as his practice studio, Liuber plays his heart out every day and dreams of touring the world.

  • Quimsacocha

    For the downstream communities of the high mountains of Quimsacocha, water is sacred. So when the giant Canadian company set their eyes to mine their land for gold and copper, 30-year-old Bolivar and 73-year-old Isaura were not happy. Isaura and Bolivar rely on water for their livelihood. Isaura owns four cows and Bolivar is in charge of the community’s water system. For them, water is life, and mining will jeopardize the future of their communities. Quimsacocha takes an honest look at these indigenous communities, their cultural traditions, and their lives in this picturesque landscape of the Western Andes Mountains in…

  • War Game

    In an imagined battle between the United States and the fictional Latin American country of Cubuchilia, an American soldier has control over water resources and news media on both sides of the war. This depressed white soldier profits monetarily by the continuation of the war, and therefore ensures the battle endures through his power over the water and news. Inadvertently, he causes all the soldiers on both sides to perish, and thus the war ends. He then, through his media control, presents himself as the hero of the conflict and the savior of the United States.

  • Kitâb al-Isfâr: Book of the Journey

    An immersive cinematic poem of a seven year journey of return, Kitâb al-Isfâr: Book of the Journey weaves together stories of near-death and mystical experience in Andalucia. When I was 19 I set out, hoping I could learn the meaning of life by “experiencing everything.” I bought a car for 20 marks in a cafe in Ulm. I spray painted it yellow and green and drove it from Holland to Romania to Spain, sleeping in the back seat in a red blanket. Driving down to Malaga, at the crest of the mountains, the brakes went out. As the car sped…

  • Gay As In Happy: A Queer Anti-Tragedy

    An award-winning experimental autoethnographic documentary about queer joy, resistance, and resilience in the face of abuse, trauma, and transphobia.

  • A Life on the Borderlands

    This is a film about my father, who immigrated to Montreal from Chile in the early 1970s after a hard-scrabble life on the streets of Santiago as a youth. Like my mother, who immigrated from Argentina around that time, his mobile life was characterised by neither chain migration nor lasting social ties with members of his ethnic group. His story is also a story about class, politics, and complicated histories of migration and exile.

  • The Places We Lived

    The Places We Lived uses a large family archive of Super8 and digital home movies from the mid-1970s to late 1990s to grapple with the hopes, dreams, and disappointments of two South American immigrants who moved to Montreal in the wake of the excitement and optimism generated by Expo ’67. This story focuses on the father, Jose (“Pepe”), whose life in Canada followed four hardscrabble decades in Chile. A story about childhood and fatherhood, aging, capitalism, and obsolescence, The Places We Lived opens up new questions about class, memory, diasporic narratives, and the complicated histories of migration and exile.

  • Feet in Water, Head on Fire

    Along the San Andreas fault line in Southern California, Indigenous palm trees and date palms imported from West Asia flourish. The people who tend to them reflect a landscape of frictions and affections shaped over generations by agriculture, luxury real estate, and border politics. Like the infinity storytelling of The 1001 Nights, stories fold into dreams and back into stories, a constellation of voices settle over mountains and into the earth. Intertwining color 16mm with textural black and white film hand processed with the dates leftover from harvest and plants native to the valley Feet in Water, Head on Fire…