Film Categories: Abstraction

  • When We Are Nothing Left

    A minimalist film and study about time, infinity and the life cycle, created in the spirit of William Blake.

  • Spirit Glitch

    A queer woman of colour struggles to regain her voice form the void as traumatic memories threaten to glitch her spirit away piece by piece, leaving an empty shell. With every ounce of willpower, she must find the strength to face the reality of another day.

  • Granular Film – Beirut

    Reminiscence of a trip in Beirut. The sea. the palm trees, the buildings melt when my eyelids began to close. My memories now have a separate life of their own.

  • H2T

    Shot on several types of film (16 mm and Super 8 format), ranging from handmade film emulsion to expired films, H2T takes place in the mighty Hotel2Tango Montreal recording studio. The film is a chemical composition where light meets the effervescence and creativity of the band Land of Kush (Constellation Records) during the making of their latest album, The Big Mango (2013). Filming of the recording session during rehearsals and breaks, the picture is just as ephemeral as the musicians’ movements. H2T reflects on the performative aspect specific to experimental film and musical performance.

  • forwards, backward

    Compiled from unused images of a half-shot and perpetually delayed documentary, this film is an illusory visual and sonic reflection on a stagnant film career. Simultaneously moving forwards and backwards and not at all. Driving 100mph and standing still. One step forwards, two steps back.

  • the medium is the message

    An age of numerology communication : numbers digits : representation algorithms : codecs compression : bitrot : memory what message? THE FUTURE IS THE PRESENT

  • 75 Years

    The atomic bombings of Hiroshima and Nagasaki 75 years ago initiated The Cold War. 75 Years is a cinematic meditation on The Cold War and photography. 75 Years is comprised of surreal, evocative still photos put into motion and edited like cinematic footage. The images are often stunningly beautiful. Though not documentary, they feel like they were shot at ground zero of an annihilation. And they are sequenced to suggest such a narrative—from a Prologue to an Aftermath. All the images have some degree of motion blur, so they range from representational to abstract. At their most abstract, they look…

  • Anything is Everything

    Anything is Everything is composed of sequences of disparate footage, but with threads to follow, a web on interconnections: circular shapes from outer and terrestrial space; animals and humans; words and ideas. Stuttering, flickering, blinks and blanks set bits of time and space next to each other – seeing connections from the traces. As with most of Sternberg’s films, Anything is Everything considers the questions: what is life, how do we perceive it, how as humans are we a part of the world?

  • Xam

    Xam is a sci-fi exploration on the future of surveillance and body hacking. While in the London subway, an unsuspecting man opens a strange text, rendering him unconscious and dragging him through a wormhole. He awakes, lost, on the train tracks in Kiev, Ukraine, unable to communicate with friends or family. With the help of the hacker community in Kiev, and then Paris, the man harnesses alternative virtual transmissions in an attempt to find his way home. Xam is told through an intimate, first-person frame and video collage to emphasize the increasing integration of human and technology. The story is…

  • Lines of Force

    The law of general relativity states that all matter is condensed energy. In its purest form, energy is light. Perhaps matter cannot go faster than light because all matter consists of light. (For Paul Clipson.)