Film Categories: Abstraction
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Slumberparty 2018
Slumberparty 2018 is a remake of a 1984 Super 8 film called Slumberparty made by the Positive Pornographers, a mostly queer collective of Toronto-based artists, activists and sex-workers. Commissioned by A-Space Gallery’s “Developing a Women’s Erotic Language on Film” workshop, Slumberparty was made as a direct intervention in Toronto’s feminist porn debates. They wrote, “we didn’t set out to make a work of art. We set out to make something that might turn us on. Join us for what one previewer called “Mary Poppins’ first lesbian orgy. Slumberparty screened twice in public in 1984 then disappeared until 2016, when the…
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‘On The Road’ by Jack Kerouac
If Jack Kerouac wrote his legendary novel On the Road on a long paper scroll, why not do it on a long 35mm film roll as well? By re-typing the complete book –with the use of 35mm black leader instead of paper on a typewriter– this project attempts, among other things, to convert Kerouac’s romantic rhythmic writing method onto a cold and mechanical transcription in order to give the work new possibilities and readings that, when projected at 24 frames a second, although they do emphasize Kerouac’s intentions of immediacy, they transform the text into illegible blotches of letters that…
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Twilight
Exploring the relationship between sound and picture, this film is inspired by the two lights (twi-light) found inside of film projectors. The animation was created by applying both sound and picture directly onto 35mm film. After the soundtrack was created, each individual sound was assigned a specific shape and colour that repeats throughout the composition. Visual shapes were airbrushed and hand-painted onto orange mask (negative film), then printed positive for further manipulation by bleaching or scratching into the film’s emulsion before the final print copy was made. Sounds were made by drawing Spirograph moire patterns onto clear mylar sheets. The…
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TV
Transformational Vibrations (TV). Sound vibrations are interpreted as images in this abstract film. Resonating cycles of rhythm build until every frame contains a sound. This is an experimental animation created by applying both sound and picture directly onto the 35mm film. Once the soundtrack was created, each individual sound was assigned a specific shape and colour that repeats through out the entire composition. Visual shapes were airbrushed and hand-painted onto orange mask (negative film), then printed positive for further rendering by bleaching or scratching into the films emulsion before the final print copy was made. Sounds are made by hand…
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SHE IS THE OTHER GAZE
Every encounter with an image, every interaction searches for its own form. SHE IS THE OTHER GAZE describes the encounter with female visual artists mostly of an older generation who were part of the Viennese art scene in the 1970s and were engaged in the women’s movement. In dialogue with the filmmaker and her camera they share early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers the protagonists are a great influence on the contemporary art scene and…
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Untitled
A performance film consisting of a string of five slow motion portraits of a young woman. Each portrait varies in length and gesture as her myriad expressions invite our gaze. With each action performed in dead silence, stretched to the limits of voyeuristic levels of comfort, the simple act of looking is made fragile. A curious exchange is established between spectator, creator, and subject through a careful appropriation and reframing of social media conventions and advertising iconography transposed into a cinematic space—pointing to a cycle of regressive media consumption.
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BLU In YOU
Walter Benjamin suggests that film is comparable to surgery, the instrument allowing the operator to penetrate the body of the subject while, paradoxically, maintaining his or her distance. This statement self-reflexively sets up the female spectator at the helm of the art-installation opening of Blu in You—an eloquent essayist film with visual conversations that dissects historical and contemporary representations of the black female body, sexuality and subjectivity. The female spectator (Melanie Smith), views the staged art installation conversations between visual arts curator (Andrea Fatona) and writer (Nalo Hopkinson). The conversations begin with a cultural history of violence, ethnographic display and…
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At Midnight Plays a Dance Tune
During his mother’s illness and after her death, Roy went through an intense period in his life, in which he felt attracted to the fringes of society. He raced in his car, roamed the streets at night and indulged in sex and drugs. He always had music playing in his appartment, no matter what time it was. During this period of extremities, the memory of his former neighbour Antoine suddenly came back. As a child Roy had been fascinated by the man and looking back now it seemed like Roy’s current life mirrored that of his former neighbour. Even though…
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On the Line
“On the Line” is inspired by Isa Shimoda, a butch gender nonconforming immigrant who served meals to Japanese American tuna cannery workers in her restaurant on the docks of San Diego in the 1930s. She was known for her masculine attire as well as her skills at naginata, a sword-based martial art practiced by Japanese women. Her restaurant was a refuge for the women who endured gruesome hours cleaning fish and lived in meager housing shelters known as “fish camp.” Shimoda has two sets of wartime records from the incarceration camps—one identifying her as female, the other as male. “On the Line” uses…
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Wayward Emulsions
Fleeting cinematic impressions of a wayward woman are captured in the oblique wanderings of emulsion lifted from stray reels of 35mm film. Winner, Experimental Short Grand Jury Prize, Slamdance Festival 2019