Film Categories: body

  • In the NA

    Pairing the gestures of modern, interpretive dance to the ecstatically, high-energy pop song, “In the NA” depicts a scientific experiment in hypnotism / human behavior gone awry. The subjects cognitive information is examined, recorded, inputted and finally obliterated by the performers. In its surrealistic climax, the music overpowers the experiment demanding that a new language for scientific understanding be established.

  • General Idea: Art, AIDS and the Fin de siècle

    “General Idea: Art, AIDS and the fin de siècle” is a humorous, informative and ultimately poignant documentary about the internationally acclaimed Canadian artists’ collective General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this poignant story of art and sexual politics. “GENERAL IDEA: Art, AIDS and the fin de siècle” is a tale of love, fame, overwhelming loss and, ultimately, renewal. Selected screenings: Canadian Art Reel Artists Film Festival, 2009; Hot…

  • Broken Telephone

    A surreal short film in which a young woman ponders the relationship she has with her own identity.

  • Faces West

    “Faces West” is a hand-processed dance film that explores the conflict between desire and inhibition, intimacy and distance. Created in collaboration between Rebecca Gruihn (Director) and Niomi Cherney (Choreographer/Performer), it takes the viewer to three city spaces that can be considered both public and private. The tensions of Cherney’s unique movement style are captured by Gruihn’s 16mm camera.

  • Boy

    “Boy” is a short film that touches on sexual orientation, homophobia and acceptance. An animated figure swings at the viewer while a robotic voice whispers so that no one around him can hear. Slowly descending into self-doubt, he questions his choices and what he has become.

  • Three Part Harmony: Composition in RGB #1

    This experimental dance film employs a bastardized version of the 1930s’ three-strip Technicolor process. Shot entirely on black-and-white film through colour filters, the images were recombined into full colour through optical printing techniques, one frame at a time. The gestures in this dance work explore the psychological fracturing and reunification in representations of the female body.

  • Knowledge of Good and Evil

    “Knowledge of Good and Evil” is an abstract exploration of the tension surrounding women and stereotypical representations of their knowledge. This film was created from footage shot at Phil Hoffman’s independent imaging retreat (aka “the film farm”) in Ontario as well as from footage shot in Vancouver (where I had given myself the challenge of shooting 100 feet of film every month). All of the footage was hand-processed, and some of it was contact printed by hand and treated in baths of potassium ferricyanide. The final film was created through various optical printing techniques.

  • 16mm Postcard

    A diaristic film in which the filmmaker comes to terms with her new life in Vancouver, “16mm Postcard” is a bittersweet letter back home to the Atlantic Filmmakers Cooperative in Halifax. Like in any letter, it becomes painfully obvious that one can never fully communicate, and the result is a series of random tidbits that point to a larger experience.

  • Playing Jacob

    Loosely exploring the historical weight of institutionalized religion in a postmillennial society, and its relationship to individual spirituality, the filmmaker places herself into the Jacob myth on the Pentateuch. She plays the role of Jacob in an attempt to come to terms with her religious upbringing, and her anxious ambivalence towards her own agnosticism. Inspired by the in-camera techniques of the early cinema of Meliese, the film and all of its special effects were shot and edited entirely in-camera in one take.

  • Forever Hold Your Peace

    Live actions with hand scratched sound, this film presents the frustration of feeling the need to speak with nothing to say. Filmed by the artist’s husband at the time, the film also relates to subtle complexities of communication within marriage.