Film Categories: body

  • Rhythm 06

    Filmed in a decaying housing estate in east London, “Rhythm 06” renders the outer trappings of internal collapse, a choreography of layers of the real. This new reworking of “Rhythm 93” transposes Michael Whitmore’s ethereal score for 10-string guitar and overtones on Carolyn Roy’s original riveting hypernaturalist performance.

  • Kino-i

    A cinematic self-portrait in two parts. In the first half, a half-silvered mirror was placed between the filmmaker and the camera. In the second, the mirror was removed. “Know that the complete secret of prophecy for the prophet is that he suddenly sees the form of his self standing before him, and his self forgets and becomes transported from him, and he sees the form of himself before him speaking with him and proclaiming the future.” – Rabbi Nathan, as related by Moses ben Jacob of Kiev in the Shushan Sodot, 1509.

  • Crash Points 3

    “Crash Points 3” is based on “Crash Points,” a performance created by Peter Dudar during his partnership with dancer/choreographer Lily Eng. As Missing Associates, they were part of the experimental dance scene in art galleries during the 1970s and 1980s. “Crash Points” was essentially a non-competitive track and field event in which the perimeter of a gallery was used as a running track. Hurdles coming down (“crash points”) triggered interactions between the performers. “Crash Points 3” uses footage from two earlier “Crash Points” films-digitized and extensively re-edited. With contemporary video techniques, Dudar both re-interprets and enhances the performance.

  • Sex On Wheels (short)

    “Sex On Wheels” tells the secret history of San Francisco’s sex workers. Interweaving Super 8 footage of a living history bike tour/theater piece (think Colonial Williamsburg, with whores) with archival film and photographs, the film tells the story of a city’s forgotten residents: an ex-slave who became a wealthy procuress, a cross-dressing 1940s lesbian gigolo, a madam who became mayor, a gang of transgender teen hustlers who rioted for their rights, a radical feminist hooker/assassin, and a posse of anarchist strippers who took over a peep-show. 38-minute version also available, see “Sex on Wheels (demi-feature)”

  • Bol (Speak!)

    A cyclist meets a stranger in the market. A boy waits for his mother to return home. A man wakes up to find that his face is being stolen by shadows. Three separate encounters become the departure point for “Bol (Speak!),” a short dramatic experimental triptych on the nature of violence. Inspired by the Pakistani Marxist poet, Faiz Ahmed Faiz’s poem Bol, and drawn from real events, the film uses still photographs, puppets and folk dance to comment on the increasing ubiquity and tenor of violence in South Asia. It is a gradually escalating experience of violence. All three chapters…

  • Sex On Wheels (demi-feature)

    “Sex On Wheels” tells the secret history of San Francisco’s sex workers. Interweaving Super 8 footage of a living history bike tour/theater piece (think Colonial Williamsburg, with whores) with archival film and photographs, the film tells the story of a city’s forgotten residents: an ex-slave who became a wealthy procuress, a cross-dressing 1940s lesbian gigolo, a madam who became mayor, a gang of transgender teen hustlers who rioted for their rights, a radical feminist hooker/assassin, and a posse of anarchist strippers who took over a peep-show. 12-minute version also available, see “Sex on Wheels (short)”

  • 33 Teeth

    Eddie is a hormonal 14-year-old boy living alone with his mother in the suburbs. One day after school, he accidentally spies on his attractive older neighbor, Chad, as he steps out of the shower and measures himself with a red comb. Not long afterward, Eddie is the victim of a verbal slur by Chad’s friend Tim. This inspires Eddie to enact some creative retaliation. Winner of the Audience Award at the MiMi LGBT Short Film Festival 2012.

  • Death of My Daughter

    “The idea for the project came from my mother, who, upon learning of my transition, announced to my family that I was dead to her, that her daughter was gone. In fact, that daughter of her creation had never existed. In a meta-sense, “Death of My Daughter” is about the role of gender, and gender roles, in contemporary U.S. society. This video represents the burial, or putting to rest, of the gender roles our parents/society have imposed upon us and illustrates our metamorphoses into the men we have become.” – Leon Mostovoy

  • Perception

    An experimental animation exploring the disconnect between one’s own perception of self and how one is seen by the rest of the world, specifically facing the journey of transition from female to male.

  • Off Route 2

    The scene of a car accident serves as a backdrop to an exploration of trauma and the often-anticlimactic aftermath of personal tragedy. A woman hangs inverted in silence, inhabiting the space of wildlife in the forest. This is as much a performance of endurance as it is a fictional construct; the execution of the film demanded that the artist hang upside-down from a seatbelt for extended periods of time in sub-zero weather.