Film Categories: (De)colonization

  • Canada Park

    I walk on snow to fall unto the desert. I find myself on unceded indigenous territory in so called Canada, an exile unable to return to Palestine. I trespass the colonial border as a digital spectre floating through Ayalon-Canada Park, transplanted over three Palestinian villages razed by the Israeli Occupation Forces in 1967. Canada Park is an experimental video poem exploring the politics of dis/appearance of Palestine as narrativized, mapped and imaged in Google Streetview and early 20th century colonial landscape photography of the ‘Holy Land’, namely at the site of the village of Imwas which is theologically conflated with…

  • Matin Dans Une Foret de Pins (Morning in the Pine Forest)

    The lives of six young people unfold in a journey through different worlds revealed and interwoven, where the boundaries between documentary and fiction, reality and dream cease to exist. The volatile and seductive landscape of urban and rural Latvia was treated as a rich context for the complex relationships one has with the world – inviting the viewer to come upon the questions that bind us in our common need to understand our humanness. This film is based on the lives of HELENA, EVA, JANKA, GUNTIS, ANNA and GALC.

  • Sea, carry my dream / Mer, emporte mon Rêve

    Toward the land, toward the sea. Where can a boy be safe? The universal story of fear and hope for boat people seen through young eyes. The little red fish shows him a mysterious world full of wonder and danger under the sea that his fragile boat is escaping on.

  • Feet in Water, Head on Fire

    Along the San Andreas fault line in Southern California, Indigenous palm trees and date palms imported from West Asia flourish. The people who tend to them reflect a landscape of frictions and affections shaped over generations by agriculture, luxury real estate, and border politics. Like the infinity storytelling of The 1001 Nights, stories fold into dreams and back into stories, a constellation of voices settle over mountains and into the earth. Intertwining color 16mm with textural black and white film hand processed with the dates leftover from harvest and plants native to the valley Feet in Water, Head on Fire…

  • Kiri and The Girl

    Based on the experiences of Tlingit artist Kiri Geen as she reconnected and reclaimed her Indigenous heritage after her adoption, “Kiri and The Girl” follows young Kiri as she navigates losing her mother and is guided to becoming her true self.

  • your father was born 100 years old, and so was the Nakba

    A Palestinian grandmother returns to her hometown Haifa through Google Streetview, today, the only way she can see Palestine.

  • Entre la langue et l’océan

    A psycho-sexual poetic politico historico and reflective film document about the Canadian identity and the failed revolution of 1837 – 1838. To understand the disease’s origins is not equivalent to finding an effective therapy, but it is undoubtedly a crucial prerequisite. Entre la Langue et L’Océan. Surréaliste, radical, esthètiquement riche et techniquement ambitieux, ceci est un film qui résiste toute classification. A man tries to invent a liberated state and ends up in a penal colony. After awhile he hesitates to remember the cause of his incarceration. He only remembers what he left behind not what he was hoping to…

  • Cha ni chinu chi’in ñu’un / Construida de tierra / Built of Earth

    Cha ni chinu chi’in ñu’un / Construida de tierra / Built of Earth is an experimental documentary project consisting of a short film, a publication, and a collaborative installation that explores the immense and ancient family home at the centre of Jamiltepec, Oaxaca, Mexico. The cavernous adobe house is in the process of being restored after a devastating earthquake that saw a portion of its roof collapse in February 2018. The short film follows the restoration process, with its focus on traditional building materials and techniques, creative reuse, and local artisanal production. In doing so, it explores the origins of…

  • Karaoke

    The home has changed. The palm oil trees have grown in endless symmetry. The landscape rusts and the nostalgia turns. KARAOKE is a homecoming story. BETIK returns to his village to help his mother with the karaoke a few years after the death of his father. During the day, he has also taken a job with his uncle making karaoke videos. KARAOKE is a story that takes you back home yet reminds you to go back where you came from. KARAOKE is a debut feature film about home and deception in a karaoke club within a palm oil plantation in…

  • consider

    bombs like fireworks, the artifice of televised war in a soft, black sky, perforations of light in the film’s velvet for any serious reflection the sidereal consider in memory of the fallen in Gaza, the stars