Film Categories: (De)colonization
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Ecopoiesis
In moments of monstrous pareidolia, all the things that we don’t consider alive form a new world, a world in our image. Ecopoiesis explores the concept of terraforming, reimagining it through the lens of cosmic horror. Blurring the lines between terrestrial and extraterrestrial, the film invites viewers to challenge their perceptions of human impact on an alien environment, as the visual and auditory landscapes evoke a sense of planetary unease. Within its abstract representation, Ecopoiesis delves into the ethical and existential dilemmas posed by transforming foreign worlds by infecting them with humanity.
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En Memoria
In a dystopian future, a mother struggles to finish making her daughter’s quinceañera dress.
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I would like to visit
An experimental short and installation work that combines text and film to explore the simple desire to travel, through the cultural and political realities of being Palestinian. Soundtracked with the anxiety of disposition, the work opts to show a close up of text being typed and edited on word-processing software, the work complicates a simple desire to travel by adding to it the social, cultural and political realities of being a Palestinian.
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P is for Palestine
Language is political in this subtle short film that shows an unnamed man in Amman, Jordan repeating decontextualized political English words all include the letter P – a letter that doesn’t exist in the Arabic language and pronouncing it is coded socially and economically.
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We will talk about this after the last air raid alert stops
This film, shot within a game simulation, focuses on the opposition between culture and nature and the possibilities of dealing with obsolete mechanisms of environmental exploitation. It’s a utopia about a post-war city that launches a recultivation program. The program is an attempt to create a new society where the aims of people do not stand in the way of the aims of other people, trees, rivers, chipmunks, mushrooms…” The game simulation was used as a platform to develop a speculative scenario in which humanity survives the challenges of the current century. Looking at the dystopias of the last century,…
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Don’t Take My Joy Away
In the Shatila Palestinian camp in Lebanon, two friends, Omar and Omar, find moments of joy amid hardship until sudden violence forces them to confront loss and survival.
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Avant Seriana
Mom, you brought me back to our homeland. All I know about these harsh landscapes I learned from books written by the hand that burned these mountains. I try to undo the colonial myths engraved into my memory, but the hills escape my gaze. Do you think I, too, have become the white djinn spoken of by the legends surrounding our martyrs? Avant Seriana is an essay film shot in Super 8 in the Aurès region of Algeria. Observing the landscapes of my native land, I realize that they are divided into several images and times. Two different countries are…
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The Flower and The Flood
Following the seasonal cycle of a saffron farm based in the Fraser Valley, the film explores unmechanized labor through harvesting the delicate crocus stamen by hand. After an atmospheric river decimates the flourishing saffron crop in 2021, the flood waters temporarily return Semá:th Xó:tsa to the valley more than a century after its forced draining. The film traces the interconnected history of this sacred lake with the rebuilding of the saffron crop; cultivating community and the most expensive spice in the world. Collaborating with the saffron crocus and other plants through eco-processing and analogue processes, the family garden offers us…
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Trajectories of Now
Over an 18-month period, 18 racialized and gender diverse artists took part in creative research to develop artworks and activations responding to the guiding question “What change do you want to make with your art?”. Their work culminated in their group exhibit Trajectories of Now: An Anthology. Through visual, audio, and tactile works, Trajectories of Now documented critical narratives of relationships to identities; both personal and collective. In this short film, eight Trajectories artists discuss their artworks and processes for voicing, surfacing and amplifying creative advocacies and resistances for social change.
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Salvage Archives
Salvage Archives continues Rufelds’ research into cultural and subcultural expressions of late capitalist alienation, and the forms of collective storytelling that take shape under the shadows of unjust material systems. Told in a hybrid narrative style, mixing elements of essay film, social realism, and neo-noir, Salvage Archives oscillates between two narrative threads, counterposing a lonely online conspiracy theorist and a disembodied historian of agriculture. The two figures recount their stories in alternating chapters, perversely mirroring each other as they wade into the knotted abstractions of capitalist productive systems, logistics networks, patterns of accumulation, and systemic waste. As both narrators’ grandiose…
