Film Categories: Earth

  • Dark Adaptation

    Dark Adaptation extends the experiments with alternative optical systems I began in Refraction Series (2008). These films are rooted in the experiments and writings of Ibn Al-Haytham and Isaac Newton, pioneering investigators of the nature of sight and light. In them I use fundamental phenomena such as refraction and thin-film interference to create images of pure prismatic colour in motion. Dark Adaptation is both a true representation of a series of tiny performances with light that were recorded by the camera, and an analogue for an interior journey. The music is by Graham Stewart of Violence and the Sacred. “Dark…

  • Watch Tower

    Structured in seven parts, each segment considers the impact a transmission beacon relays into its surrounding environment. Watch Tower acknowledges the act of watching through an acute awareness of how form influences perception while also observing the communications and time-keeping properties of the subject.

  • Watergazing

    Watergazing is as old as humanity. It is the practise of calmly and peacefully studying the water, its motion and its shimmerings in order to experience images rising from our own depths. The flowing water becomes a metaphor for time, which assists the practised watergazer in seeing into the past and the future.

  • Flightfilm

    A window onto the world where clouds mingle with the fog of film chemistry.

  • Tracking Sasquatch (field report #4)

    A search for the elusive Sasquatch. The fourth chapter in an ongoing series. “The more a thing deviates from the known, the better the proof of it’s existence must be.” With text generated, sourced and scoured from various articles and essays found on the internet.

  • off this spinning rock

    Mystic animalistic forces spark a mass exodus before the planet implodes. Made for an invitation to take part in a weekly pakete* in Cuba – curated by Peter Kingstone & Nestor Siré. *The weekly pakete is terabyte of information that can be downloaded onto a drive – mostly of stolen material from the internet, movies, tv shows, sporting events, music and youtube clips – available all over Cuba.

  • 24.24.24

    24.24.24. is a view of a day in concurrent time. All of the day’s twenty-four hours are presented at once. In the minutia of time, banal events unfold and are made extraordinary through the camera’s gaze. People go to work and to school, time is stretched and skewed, the act of taking a walk or watering a lawn develops a magical quality. Light gains character, shadow reshapes objects, and time becomes palpable. Take a look.

  • Gibraltar Point (transformed)

    Erratic flashes of light spark across a flickering expanse of Lake Ontario. The image itself can’t be contained as light and debris spill outside the frame. The random alchemy of hand-processing techniques creates a landscape that transcends the observable, edging into the sublime. The ninth work in an ongoing series of poetic landscape films. “Gibraltar Point (transformed)” was created during a residency at Artscape Gibraltar Point on Toronto Island. Shot on black and white 16mm film, hand-processed, then transferred digitally with an ambient sound design by Michelle Irving. Selected screenings: Festival International du Film sur l’Art (Montreal, QC, 2017); Antimatter…

  • Burning Mountains That Spew Flame (Montañas ardientes que vomitan fuego)

    The interior of the earth became a refuge from the threat that moved closer and closer to the island. The volcanic tubes served as communication vessels between time and space. This was where they experimented their resistance.

  • One Hundred Attempts to Make a Film About Depression

    Four years ago I began working on what was supposed to be a documentary about living with depression. In the end, if there is anything harder than having a conversation about depression, it is making a film about it. After numerous shoots, interviews, restarts, and stages of abandonment, I created this piece. The film is an attempt at translating the emotional state of depression, as I experience it. Filmed almost entirely on the Phantom slow motion camera at 1500 frames per second, 100 Attempts To Make a Film About Depression represents an ongoing struggle to be open about coping with…