Film Categories: Earth

  • Concrescence

    Static winter forms melt in sunlight.

  • Experiments In Light

    This short explores light as a meditative state while encouraging the viewer to take a moment to be present within themselves. Taking footage from my narrative self portrait A Celebration of Darkness (2015) and recutting it to refocus on the various macro shots of crystals as an expansion on the theme of light and darkness. The images in this short was made possible by the LIFT/ImagineNATIVE 16 mm Film Mentorship in 2015, it’s post production was funded by the Ontario Arts Council Access and Development grant in 2016 and completed as part of my Media Artist in Residence with Workman…

  • Folded River

    An empty canoe floats down a river. A landscape turns inward: time and place are enfolded. Two images converge producing a third, unseen image; a vanishing memory.

  • The Canoe

    A woman finds refuge in an empty summer home when her camping trip is interrupted by a storm.

  • Pierre Radisson – Fjord and Gulf

    “Pierre Radisson – Fjord and Gulf” presents the daily activity and environment of its eponymous Canadian Coast Guard Icebreaker. The CCGS Pierre Radisson works year round providing escorts for commercial shipping to ports cut-off by ice, scientific and search and rescue support, among other activities. Shot during the Pierre Radisson’s work on the Saguenay Fjord and Gulf of St. Lawrence in Quebec during February 2016, the film provides a window into a portion of the invisible labour underpinning the Canadian economy. The film brings the deep winter landscapes of coastal Quebec into dialogue with intensive industrial activity of ore shipments…

  • V

    Iceland, 2016. Mythical landscapes and moment capture. Nature as mirror of, or backdrop for the self.

  • 165708

    Shot entirely in 16mm black-and-white film using single-frame photography, “165708” employs in-camera techniques and chemical manipulation of processed film to produce an eidetic study of temporal elasticity. Techniques include flicker, time-lapse, light painting, stop motion, tinting, and toning. Combined with cycles of alternating exposed frames, these methods imbue the work with a rhythmic magnetism, apparent both in the tempo and the aesthetic of the images. Exploring the capacity of the medium to express various notions of time, the film begins with a woman looking out from the shoreline. This acts as a point of departure to disparate yet interconnected sequences…

  • Sky Room

    Someone is missing. Plants grow, but at what cost? Technology threatens and seduces as humans attempt to solve a mystery through telepathy and mirrors. Stainless steel and broken glass strewn about an intergalactic discotheque.  Commissioned by the Chicago Film Archives and made in collaboration with sound artist Brian Kirkbride, with footage and sound from the archive chopped, manipulated and arpeggiated into a fertile mix of anthem and narrative.

  • RUPTURE

    By and large humans tend to create narratives about themselves, then often make great effort to conform reality to that narrative. This was not a threat to planetary survival 10,000 years ago when we were scattered in small bands worshipping local deities and relying on nearby gathered foodstuffs with only stone tools. It is quite an other thing when we are packed into mega-cities with nuclear weapons and ambiguous connectivities, along with relationships imbued in instruments that far exceed an individual’s capacity to fully comprehend or to realibly navigate our various systems. Sequence in order of appearance: Secret Bunker –…

  • Soy un ser cuyas raíces // I am a being whose roots

    Soy un ser cuyas raíces // I am a being whose roots reworks Jacques Madvo’s Countries & People: Venezuela to explore labour and migration. Taking the final words of the film’s voice-over as a starting point, Soy un ser cuyas raíces // I am a being whose roots pairs Madvo’s film footage with a text-based conversation with young Venezuelan literature scholar and language teacher Angel Said Dominguez Pinto. Dominguez Pinto relocated to Panama in 2014 to make a living teaching English, Spanish & German in Panama City after Venezuela’s economic collapse. Over e-mail, we co-authored a conversational text, exploring migration,…