Film Categories: found footage

  • Peace

    Peace, takes its starting point from a super 8 found footage film material, and is a collaboration between me and Lisa Marr. I asked Lisa to read the word peace in 18 different languages; English, Spanish, French, German, Italian, Dutch, Swedish, Russian, Polish, Hungarian, Greek, Turkish, Arabic, Hebrew, Persian, Hindi, Urdu. Sound/Voice: Lisa Marr

  • light in my eyes

    A personal and poetic walk through light, love, and memories of a blind grandfather. Artist/filmmaker Christopher Wiersema considers his grandfather’s enigmatic and eloquent point of view while playing with his own. The film’s soundscape centers around a phone call with the artist’s grandmother, Rina Pullia, as she reflects on caregiving for her husband, Angelo, in Chicagoland.

  • Artifacts

    Artifacts connects fragments of an audiovisual transmission from a distance. In the fog of the events that unfold, the outlines of actors appear, revealing a catastrophe that they have caused. Artifacts is a speculative fiction film that combines computer animation created in Unity3D with documentary footage from the present day and from the archive. The footage is complemented by a deep fake actress, and AI also entered the film-making process when writing the script – the film captures situations directly proposed by a neural network. As speculative fiction, Artifacts depicts an ecological disaster that seeps from reality into the virtual…

  • Omar, What’s Good? (شو، يا عمر؟)

    Sho Ya Omar? (Omar, what’s good?) is a found footage experimental documentary that deconstructs the public persona of Egyptian actor Omar Sharif, to retell the story of his rise to fame and subsequent fall. This visual archaeological project re-appropriates a series of fiction films that star Sharif and intercuts them with news footage, archival materials, interviews and television programs to reflect on particular moments in Sharif’s career. The film reveals, using a process of deconstructing the found footage, the colonial context and mindset that shaped Sharif’s life between the Middle East and America..

  • Uncle Bardo

    Through an innovative blend of documentary, archival film manipulation, and experimental stop-motion animation, Uncle Bardo delves into the memories of an estranged family member who has undergone a near-death experience and awakens lost between two worlds. Rooted in the industrial landscape of Hamilton Ontario, we get lost in Uncle Bardo’s memories of a coma as he strives to find his sense of reality and recover his health.

  • The Wind Probably

    A human is observing the deserted streets of his hometown on the edge of the Apocalypse. The world is on the verge of being absorbed by the Black Hole. Familiar places in the ruins are difficult to recognize and it’s hard to find the clues to understand is it a reality or dream. The sensation of “not quite real” is the sensation experienced during a catastrophe. In a person’s attempts to orientate the disintegrating reality, the only one with whom he can discuss what is happening is artificial intelligence.

  • Nihelious

    The work “Nihelious” is created from videos originally intended for the design of wedding movies. The angels, hearts, roses are all 3D computer graphics created in the early 2000s that were used as decoration, additional environments for commissioned wedding videos to enhance their aesthetics. The resulting video is the culmination of half a year of media archaeology, digging up and reviewing hundreds of gigabytes of footage. This is how the secondary characters of wedding DVDs came to the foreground and gained independence from their decorative function. And at this point the cute little angels began to show signs of monstrosity.

  • Epitaph

    Epitaph is an examination of site and memory. It follows the effects of plate tectonics on the landscape of Chile – the filmmaker’s birthplace – and the small and large cycles of destruction and rebuilding the ever-present earthquakes trigger. Filmed in both Chile and on the Tablelands in Canada, a site central to the modern understanding of plate tectonics, Epitaph incorporates eco-processed 16 mm footage, video, documents from public and private archives, and found footage to weave an epitaph to a home in the process of leaving the filmmaker, first as a result of exile and then to the gradual…

  • People On Sunday

    People on Sunday is filmed using the technology of hand-crancked cinematograph camera invented by the Lumière brothers’. The instability and volatility of the image produced by the filming technique characterizes Viita´s film which title refers to the German classic Menchen am Sonntag (1930) – a well-known example of how history and the passage of time affect the interpretation of film. The inexorable passage of time and the beautiful fragility of life are central themes in both films. Does man learn anything from history, or are we doomed to make the same mistakes over and over again? People on Sunday presents…

  • How the Hell Are You?

    Based on a correspondence with a gay friend in the sixties, this collage film is a portrait of a person and a decade. Against a montage of found images, the narrator comments on life, love, and the American Dream.