Film Categories: Gender
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Don’t Take My Joy Away
In the Shatila Palestinian camp in Lebanon, two friends, Omar and Omar, find moments of joy amid hardship until sudden violence forces them to confront loss and survival.
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Husbandry
Mary Imrie (1918 – 1988) and Jean Wallbridge (1912 – 1979) operated their architecture firm—the first run by women in Canada—at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River in west Edmonton. When Mary Imrie passed away, she bequeathed the records of their remarkable architectural practice and adventurous life, along with their home, to the province of Alberta. With a title borrowed from a telegram in the collection, GLAD YOU CLOSER HOME / NEW WHITE WHISKER MARY is Cait McKinney and Hazel Meyer’s immersive exhibition that playfully imagines and speculates in…
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MixedUP
Part testimonial/part confessional. What are the lines between the facts of who I am and the fiction of what I can become? Mixed↑ is a reclaimed book of genesis: a manifesto that collides the wildly diverse elements of being queer, mixed and different in a world socialized around the construction of race, gender and orientation. Mixed↑ follows Howard J Davis aka Haui in his feature film directing debut, as he combats the isolation of being BIPOC and LGTBQ+ and helps to normalize the existence of being “other”. Featuring Haui’s biological and found family including: actress/activist Tantoo Cardinal; stage and screen…
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Never Sleep
Muna is a timid nonbinary teenager with the ability to communicate with the spirit world through her dreams. Following the sudden death of their father Ibrahim, they chooses to stop sleeping to avoid having to confront his restless spirit. When Muna’s estranged aunt Naja re-enters their life, their collective grief meets the turbulent spirits of their ancestors, and the two family members must decide whether to remain comforted by avoidance or face their fear of emotional vulnerability head on. With Naja’s guidance, Muna manages to forge a path towards rewriting her understanding of memory, loss, legacy and familial responsibility
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FREE JOAN LITTLE
Free Joan Little tells the story of the 1975 groundbreaking case of Joan Little (pronounced Jo-Ann), who was one of the first women in U.S history to be acquitted for using deadly force to resist sexual assault. Joan was a Black incarcerated woman in North Carolina who killed her white prison guard who was trying to rape her. Little’s murder trial became an international cause célèbre, uniting fractured social movements—Civil Rights activists, feminists, Black Power advocates, and death penalty opponents—in an unprecedented intersectional coalition that challenged systemic racism and sexism in the criminal justice system.
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The Sky After Rain (Payam Feili)
Based on a poem by exiled gay Iranian poet, Payam Feili, written after the arrest of his boyfriend during Iran’s 2009 Green Movement protests.
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The Gloria of Your Imagination
New York based film artist Jennifer Reeves, known for her 16mm experiments, revisits “Three Approaches to Psychotherapy” (1965), which portrays Gloria Szymanski in sessions with three male therapists. Through found footage and tactile interventions on film, Reeves reframes the material into an empowering portrait. By adding home movies, newsreels, and advertisements, she situates Gloria’s story in context, exposing the unequal power dynamics behind the original film. Gloria emerges not as a case study but as a complex, vivid woman whose openness about her fears, desires, and contradictions still resonates today.
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The Sky After Rain (Shaya Goldoust)
Based on Shaya Goldoust’s audio journals narrating her attempts at testing rigid gender boundaries, and the transphobic incidents which led to her leaving her family and motherland, Iran.
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The Sky After Rain (Shyla Hope)
Based on recorded audio interviews with Shyla Hope discussing her inner self journey to understanding and accepting her identity as a lesbian trans woman growing up in Iran.
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Let’s Rap
“Women, speak your mind!” says one of the rappers in this collage of women of all ages and races who use the directness and power of rap music to express their views. These women, who rap in their own words about their own lives and beliefs present us with a lively, musical and often comical look at key issues facing women today. Let’s Rap! brims with energy, from its dynamic editing, witty set designs and colourful costumes right down to the pulsating beat which underlies its enthusiastic performances. Let by the powerful Montreal rap artist Freaky D, one of Quebec’s…
