Film Categories: Gender

  • Mishaps in Spacetime

    Doubt creeps in as Cosmo, a space traveller, addresses his gender identity. In need of clarity and change, he wants to risk crossing the Butterfly Nebula. His spaceship, on the other hand, has a personality of her own. Cosmo will need to negotiate change with a certain loss of control. Screened at the 2025 IndieLisboa International Film Festival and 2025 XPOSED Queer Film Festival Berlin.

  • I Believe in the Good of Life

    “I Believe in the Good of Life” celebrates the antics of Toronto drag queen Tawny Le Sabre (Alex McClelland) as the film catalogues the crimes made throughout one summer. Legendary drag artist Keith Cole plays the judge and also Le Sabres co-conspirator in this colourfully absurd film shot on 16mm. Also making cameos: Will Munro, GB Jones and Owen Pallett. A virtual time-capsule of the Toronto queer scene at the turn of the millennium.

  • Bodyrebuilding

    How diversity work led to chronic pain and my journey to healing through weightlifting (Commissioned by Polygon Gallery)

  • Sex is Sex

    Sex is Sex is a new collaborative video series between Vivek Shraya and Christopher Sherman that playfully challenges assumptions about sexual roles and preferences based on appearance and gender.

  • Karaoke

    The home has changed. The palm oil trees have grown in endless symmetry. The landscape rusts and the nostalgia turns. KARAOKE is a homecoming story. BETIK returns to his village to help his mother with the karaoke a few years after the death of his father. During the day, he has also taken a job with his uncle making karaoke videos. KARAOKE is a story that takes you back home yet reminds you to go back where you came from. KARAOKE is a debut feature film about home and deception in a karaoke club within a palm oil plantation in…

  • through the bushes and the trees, you’ll find me

    “through the bushes and the trees, you’ll find me” intertwines the personal and political histories of Hanlan’s Point Beach, the site of Canada’s first pride gathering in the early 1970s. A hole punch serves as a symbolic peephole, reflecting the cruising areas on the beach that invite both spectatorship and participation. By situating the tender moments of queer affection amidst the vast body of water surrounding the Toronto islands, the film celebrates and interrogates the histories and spaces of queer love and resistance. This work was made by hole punching frame by frame using a cricut machine, then manually taping…

  • longer than that, she said

    A meditation on anticipatory loss, this film examines the artists relationship with grief and attempts to ground herself. This film was hand processed in cilantro, mint and tansy at the Film Farm Residency hosted by Phillip Hoffman. Dyed in turmeric and walnut and utilizing freezing film decay techniques.

  • back home

    back home follows filmmaker, Nisha Platzer’s pursuit to get to know her older brother, Josh, twenty years after he took his own life. As she connects with the friends who knew him best as a teen, a complex portrait emerges. Through intimate recollections re-imagined on Super8 and 16mm film, and lyrical images hand-processed with plants, seaweed, soil and ashes, ‘back home’ floats between memory and present time in a fragmented meditation on identity, grief and loss: illuminating the transformative power of healing in community.

  • Both, Instrument & Sound

    Both, Instrument & Sound employs tension as an aesthetic strategy, to explore solidarity, collective struggle, and the transformation of these values under neoliberalism. The film follows the life of Tony over 3 years as he describes his process of political activism from the 1970s onwards, which cannot be disentangled from his friendships and his lovers. The film’s score – co-written with musicians, the film’s cast and crew – sonically explores different interpretations of tension—both in response to Tony’s narration and to the musicians’ existing approaches to tension as a musical, cinematic, scientific, and political experience. Everyone translates, performs and remixes…

  • Tether

    An unfulfilled family man is transported back to a time where he felt most alive, on the stage as a drag performer.