Film Categories: LGBTQ

  • After Bed

    Pulsing flashbacks from the summer of love reawaken a queer California classic.

  • Sweat

    Sweat presents a lone male figure who enters a sauna and eventually is drowned by his own fear. Is he really under attack by the whispers in the room or are they just voices in his head?

  • i see me watching

    Based on the artist’s personal struggle with gender, i see me watching speculates on the journey to and struggle with finding identity by presenting a first-person depiction of a singular self that has been split into two. The film displays the character’s ever-changing emotions as they follow an anonymous figure through unfamiliar surroundings, and gain awareness of the figure as an integral part of their being.

  • Shoes Off

    Shoes Off is a story about a Brazilian immigrant who becomes the subject matter of an artist’s canvas in Brooklyn. The film explores the themes of the queer diaspora beyond the family trauma trope in immigrant stories through the lenses of danger and desire. Shoes Off blends together its influence from the aesthetics and tropes of DIY porn, thrillers, and realistic dramas. Shoes Off is the portrayal of the challenges, pleasures, and adventures of what a queer immigrant experience could be, based on true stories. Shoes Off depicts how vulnerable and unique the queer experience can be in a search…

  • He Loves Me Until He Hates Me

    He Loves Me Until He Hates Me is the long-form music video from Baby, You’re Projecting, Vivek Shraya’s debut label release on Mint Records. Director statement: Taking inspiration from such 90’s classics like The Bodyguard and erotic thrillers, “He Loves Me Until He Hates Me” creates a meaningful (and playful) look at the unpredictability of masculinity–how it can fluctuate in insidious ways within a relationship, how one can be worn down in this type of power dynamic, and worse, how that can turn into lateral violence towards other women.

  • guise

    “guise” is an adult fairy tale for the 90s. Arising from the earth, a body discovers its nakedness. A suit of armour becomes a metaphor for the trappings of identity. Pixilated to produce the effect of a human marionette, accompanied by a good-natured verse. “guise” is by turns dark and humorous.

  • Atmospheric Arrivals

    This film is at once a living archive/polytemporal memory bank and a love letter to my other selves. I consider the act of revisiting my personal archives a time travelling practice and incorporating this into my films is an exercise in making said practice legible to others. “Atmospheric Arrivals” is about home and the (im)possibility of return. The “atmospheric arrival” captures a means of coming into being through memory and imagination; by reaching across spacetimes to “fetch” parts of the self that may exist in elsewheres.

  • Private Chat

    In an attempt to up her game, a young woman purchases some one-on-one time with a webcam model. When she decides to reveal her true identity, the two of them have a conversation about intimacy, desire, and which angles best showcase your ass. Private Chat is a scintillating window into the voyeuristic world of cam modeling, challenging the preconceived notions and stigma around sex work.

  • The Taking of Jordan (All American Boy)

    Jordan, an amateur adult performer, recalls the horror of his many former lives.

  • The Big Film Series

    A collection of nine 35mm hand-processed film portraits, shot using an early motion picture hand-cranked camera. ​The Big Film Series was first exhibited as an expanded cinema series reminiscent of the dawn of cinema. In these performative film screenings, Leopoldo Bloom would create an intimate screening experience by operating a hand-cranked projector among the audience rather than anonymously from an isolated projection booth. While working as a lab technician at Colorlab, Bloom was able to produce restoration prints of the camera originals in this collection, enabling the portraits to be screened at 24 frames per second.