Film Categories: LGBTQ

  • Self-Portrait in Hell

    Self-Portrait in Hell is a hybrid film that combines analog and digital film manipulation techniques. Multiple layers of 8mm films and disparate fragments are amalgamated to create a self-portrait of the director. A singular self-portrait, since ironically the subject of the film is not the director but the image found in abandoned film archives, the image of another, unknown woman. The first layer is from a 1970s 8mm home movie titled Woman Dancing with Dog and was found in an antique shop. The second layer is an 8mm film belonging to an unknown archive, which the artist buried for a…

  • Positive Transparencies

    ‘Positive Transparencies’ captures the tensions arising from the destruction and reconstruction of 17 individual 35mm analog slides. Using Hornby Island as its focal point, the film explores the methods of observing, transforming, and transmuting the natural world through technology. Employing analog deconstruction, the project repurposes the island’s landscapes, creating dynamic motion sequences that emulate a process of artistic disintegration.

  • Muses

    A dancer wishes to break free from his unfaithful choreographer. In the midst of the deteriorating intimate relationship between a dancer and his older choreographer, the latter finds inspiration in another member of their company. This personal film delves into the intricate dynamics of inspiration, domination, and dependence within the LGBTQ+ dance world. It also depicts the raw experience of betrayal through the visceral and universal language of dance.

  • Greenhorn

    While at a dinner party with friends in the city, 20-something masculine presenting Logan receives a phone call that her estranged Father has been in a car accident. With encouragement from her Mother, Logan decides to travel back to her rural hometown to care for him. Logan spends the first few days clearing out the house, reconnecting with her childhood, and preparing for her Father’s return from the hospital. While organizing some of his things, she comes across an old Western movie and her Father’s old Western wear from his glory days as a ranch hand. Letting her curiosity get…

  • I’ve Heard a Siren Calling

    A Great Lake Surfer has recently began her transition as a Trans Woman. She now is having hesitations with putting her wetsuit back on, but something is calling her back. In the isolation of her cabin in a small fishing town, she seeks to find the courage to face her fears.

  • Wisemen, God, and Wednesday

    Within three diverse pairs of eyes are born three souls that converge. Samwise and Stevie grew up homeless in BC and Nova Scotia. Ianos is a gender-queer Greek. Kwaku is a single father who came from extreme poverty and famine. Featuring a juxtaposition of sound and imagery, “Wisemen, God, and Wednesday” is a sketch of these characters’ intimate commentaries on life as they see it.

  • Haven

    Animated magazine cutouts of two men having sex lead into appropriated gay porn images, blurred to the point where they become abstract colour and motion. All this is set to pastoral sounds, sex noises, and a reporter’s voice-over about the RCMP’s “fruit box” experiments – official and ludicrous attempts to expose closeted gay men.

  • Sultana’s reign

    Sultana of New York is a Palestinian drag queen, performer, and artist. “Sultana’s Rein” opens with a conversation with Sultana, as she is being painted by Jordanian artist, RIDIKKULUZ. Reflecting on her journey from Jordan, Egypt, Lebanon, to then New York, Sultana tells of the challenges of performing drag in conservative societies, her nostalgia for the glory days and the glamour of Egyptian cinema icons, and her struggle to prove her existence and her self-expression as a performer and artist. She also shares her love of celebration and her everlasting commitment to be true to herself.

  • Les fleurs du mâle

    “The mysterious creature, Salma, realizes that being herself has repercussions on her life and that she will never be accepted as she is. So she decides to ask the creatress of this world for mercy.” The film was shot in super 8 in-camera edited. It was inspired by the letter sent by Charles Baudelaire to the Empress Eugenie after being censored and fined for his book “Les fleurs du mal”. The reason of the condemnation: offense to public morals and good manners as well as offense to religious morality.

  • One Thing I Can Afford

    Louie Sanchez is the performance moniker of Filipinx artist Eirene Cloma. Cloma has recently completed a small collection of songs that broadly reflects on their working-class Filipinx upbringing in North Vancouver and the entanglements of diaspora, interracial relations, and queer desire that texture their everyday experiences. The video for their song One Thing I Can Afford broadly addresses queer and trans friendship in the diaspora, Filipinx masculinities, and everyday enactments of transgenerational care.