Film Categories: Work by Women

  • Mother’s Bond

    When Aisha’s husband is convicted of being a “leading” member of a vicious street gang, she and her six children must confront a world of judgment in order to survive

  • Ever Wanting (for Margaret Chung)

    Inspired by San Francisco’s first Chinese American female physician, this film envisions the euphoria and despair of Margaret Chung and her insatiable desire for women and celebrity through her forays into drugs, sapphic surgeries, and queer flights of fancy. Image description: A black-and-white archival image toned warm purple, showing a woman dancing with arms raised to the side and skirt flared out in a circle.

  • Gertrude & Alice in Passing

    This experiment in point of view, narrative structure, and time attempts to reproduce cinematically Gertude Stein’s notion of a “continuous present.” In four rhyming shots/scenes, it suggests the development of a relationship over many years. Based on biographical details from the lives of Gertrude Stein and Alice B. Toklas, with improvised performances by Jackie Burroughs and Anne Anglin.

  • The Space Shuttle Challenger

    Through found footage, The Space Shuttle Challenger entwines the Challenger disaster, Guantanamo Bay, Chile’s coup d’état and the experience of being 16. It reflects on the personal impact of large events in world history and small moments of hope that survive.

  • Mer Bleue

    A pathway through time captures the changing of seasons and the evanescence of love. Mer Bleue was shot on 16 mm and video at the Mer Bleue bog in Ottawa, Canada.

  • What Comes Between

    What Comes Between is an examination of personal memory and loss rooted in the filmmaker’s birth place – Chile – and her departure from that country long ago. The work is a collage film created with found footage from personal and historic sources, and original hand printed and tinted footage.

  • Presque Vu

    Lush hand-crafted film footage and HD images combine to reveal a mysterious past through remnants of a memory that is almost remembered, but which never fully develops. Language note: Presque Vu is without language or dialogue. There are words spoken in a mysterious language, but they are not intended to be understood.

  • Before

    With intricate hand-printed 16 mm footage, Before is a dark ode to the possibility and impossibility of love. It reflects on time, inner worlds and soft landings we find in desolate moments in life.

  • Ghost Story

    Within a single Chinatown room, we see fragments of the lives of the Chinese immigrants who lived there over a span of sixty years – a bachelor in the 1890s, a small family group in the 1920s, a young post-war couple with children in the 1940s, and a grandfather with his two Americanized grandsons in the 1950s. The characters are ghosts, transparent as they fade in and out, mixing their lives and family stories. As these ghosts occupy the same room for one last time, their dialogues are interwoven and always return to the subject of ghosts, a strong part…

  • Salt River Water Walk

    In February 2020, Sharon Day (Ojibwe) led a group of Water Walkers through the Arizona desert to walk for the Salt River. Through animation and live footage, this documentary travels with the Salt River Water Walkers, describing this Indigenous-led ceremony as it creates community and builds relationships with the earth through the shared goal to care for the water. The project was organized by the Museum of Walking. The film was made possible through the Museum of Walking, the Institute for Desert Humanities at Arizona State University, and Indigenous People’s Task Force.