Film Categories: Work by Women

  • Fragments de Corps

    Isabelle is a thirty-three year old female boxer from the south shore of Montreal. As an athlete, she inevitably relies on her body. The body is like a mechanical engine. Her gym, a cold building made of steel and concrete, is located in the industrial area of an anonymous and typical suburban town. Her body, made of flesh and muscles, is continually pushed to its limits. French with English subtitles.

  • Collagist, The

    This charming and humorous animation is a collaboration with artist Marc Bell. “THE COLLAGIST” focuses on Bell’s hands as he assembles one of his works. This dynamic two dimensional piece incorporates drawings, paper cut-outs and looped animations.

  • Discovery of Canada, The

    She constructs a symbolic tale of tenderness and violent tendencies to describe her uneasy relationship with the man, the land, the French and those who were there before her. “A disturbing allegory of invasion and conquest where the traps of simple binaries begin to loosen through an investigation of the invader.” – Susan Lord and Marian McMahon

  • Miss Edmonton Teenburger 1983 in It’s Party Time!

    Watch in awe as Miss Edmonton Teenburger 1983 graces the screen in her first featurette, IT’S PARTY TIME! A story as layered as her hair, as ethereal as her style. A pop explosion of Ukranian delight that will leave you bedazzled. Are you ready?

  • Miss Edmonton Teenburger 1983 in You’re Eternal…

    This featurette stars a young Miss Edmonton Teenburger 1983, who escapes into a world of fantasy, as she deals with the pressures of youth. Unicorn! Wizard! And ketchup chips!

  • Limits of What We Know, The

    In 1993, Amy Bodman took a small crew to Zimbabwe to make a film about land as a living entity. Quietly told through the voice of Zimbabweans, THE LIMITS OF WHAT WE KNOW documents the changing landscape of Zimbabwe and its people’s relationship to it. Part travel log, part environmental study and part meditation on life itself, the film reveals nature’s mysterious tenacity in the face of great change. Although the film initially appears to be a portrait of Zimbabwe, THE LIMITS OF WHAT WE KNOW culminates as a heart-felt picture of our changing world as it struggles to compensate…

  • Blue Covers

    When the adult survivor of sexual abuse meets her lover, she struggles to remain present. She must remember that the hands of her lover are not the hands of her childhood abuser, and so, the separation between past and present begins to blur. Narrative and experimental, “Blue Covers” is an emotional, psychological and spiritual journey. A compelling look at the effects of sexual trauma, this short film is for survivors of abuse and those who care for them. “Blue Covers” was made possible through the generous support of San Francisco Women Against Rape and proj-ect PRO:JECT.

  • 510 meters above sea level

    A small airport in Switzerland. Simone must bury her father, but she misses her connecting flight. Natalie is waiting – for whom, she doesn’t know yet. Two strangers caught up in a night far away until time catches up with them. German/Swiss German with English subtitles

  • Displaced View, The

    “The Displaced View” traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative question doumentary as truth.

  • Trinidad

    “Trinidad” uncovers Trinidad, Colorado’s transformation from Wild West outpost to “sex-change capital of the world,” and follows three transgender women who may steer the rural ranching town toward becoming the “transsexual mecca.”