Film Categories: Work by Women

  • ON COLOR I: lukrezia

    References the nude subject of Lucretia in the allegorical work by German Renaissance painter Lucas Cranach the Elder (1472 – 1553). The distorted visual is juxtaposed with an orthodox choir of monks and the sound of funeral church bells.

  • Northland: Long Journey

    A film about environment, family and justice. “Northland: Long Journey” is an evocative meditation on filmmaker Edie Steiner’s quest for new truths regarding her father’s death from occupational illness three decades prior. The film revisits an early National Film Board of Canada film, where her mining father is posed as a heroic worker. He later died from exposures to workplace toxins, but his death was officially denied to be related to his work environment. A generation later, new scientific evidence amended the original legal and medical judgments, and the process of making the film became an appeal for justice. Filmed…

  • RIFF

    RIFF is a short portrait of a Chicago-based tap dance team; three women who call themselves ‘Rhythm Iss’ These Bold women use dance as their voice, choosing to express themselves through tap. Their movements give life to a message of empowerment and celebration. In this film we drop into their practice space to experience the raw beauty of their dance rehersal.

  • No. 5 Reversal

    “Photographed in reversal, hinting at psychodrama, lyric pastorale, structural film, ethnographic document and home movie this fragmented travelogue ranges from coast to coast before plunging south of the Canadian border. Begun with the bedside manners of two women photographed in close up, NO. 5 quickly relegates its protaganists to a stammered recitation on the soundtrack, a radio collage of pop tunes, natural sounds and white noise. Its studied compositions and stunning b/w photography close with an image of its maker framed between ruins of her own site, glimpsing worlds in construction.” – Mike Hoolboom

  • Division

    Erotic Feminism. A short sexy film which pauses briefly to reveal the inner subjectivity of the female/filmmaker. Starring Steve Butson and Kika Thorne, camera by Timo Reiman, lights by Jerry Shallow.

  • Our Future Is Bright

    This atmospheric short film alludes to a catastrophic event that has left two women grief-stricken and isolated in a barren snow-covered wilderness. Their intimate life together is shaken when they discover a man lying unconscious in the frozen terrain. For Bria, the older of the two women, he represents hope for the future and the possibility of a child. For Renee, he threatens to disrupt a life that has given her refuge from the traumas of violence. Renee must ultimately decide between having a child and her personal desire to remain free from emotional attachment. Canadian Society of Cinematographers Award…

  • Lot 22, Concession 5

    Hand-processed 16mm film imagery, tinted, toned, and transformed, is combined with memory fragments of a rural past to create a visual poem about family, place, and time. Filmed at Philip Hoffman’s Independent Imaging Retreat in Mount Forest, Ontario in 2008, with sound design by Edmund Eagan. The title refers to the lot and concession number of my great-grandfather’s farm in Westport, Ontario, as recorded in the 1911 census. The voice is a fragment of the past, taken from an old recording of my father, Leonard McCann, who passed away in 1992. Selected screenings: 8th International Festival Signes de Nuit, Paris,…

  • Do Not Feed This Child

    This provocative meditation reflects the inner mind of a woman looking back on the incidents of trauma and isolation from her childhood. A stream-of -consciousness narration and fluid imagery allude to sexual abuse, and to emotional withdrawal as a way of coping with the absence of support and understanding.

  • Song of the Suicide’s Daughter

    Kaja Johnson was one of the few female beat poets who managed to become known to the general public. In this film, Johnson’s poem Song of the Suicide’s Daughter (1964) is articulated and reanimated using stills and animation. “I met Kay by accident in Athens and we talked a lot over coffee-we tried to start a little poetry magazine. She came back to San Francisco’s Haight-Ashbury. I think she became a kind of street guru. This animation is based on a poem in her book. Very loose style: photos Xeroxed and hand-coloured, bits of coloured cels and a few drawings.”…

  • Animated Heavy Metal Parking Lot, The

    A stop-motion animated tribute to Jeff Krulik and John Heyn’s 1986 video documentary classic, “HEAVY METAL PARKING LOT”. Remaining faithful to no-budget filmmaking, Supnet reconstructs her favorite scenes using cut-out characters made of aged paper, glue and ink.