Film Categories: Work by Women
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Interview, The
Two women meet at a crossroads… Ross Lipman’s one fiction film to date comes from a genre even more rare in the US than experimental work-adult drama. Printed in muted tones that conjure silent film handpainting, and merging theater-based naturalism with an elliptical psychological encounter, “The Interview” at once utilizes and destroys mainstream narrative expectations.
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Rhythm 93
A Pre-Raphaelite portrait of the visionary state as arising from nervous breakdown. Filmed in bitter winter in England’s bleak post-Thatcher years, using only natural light, the camera’s focus and exposure shift continually in a subversive riff on classical cinematic match-cutting. Perhaps something occurs, but what? Winner, Director’s Choice, Black Maria Film Festival (1994).
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Rhythm 06
Filmed in a decaying housing estate in east London, “Rhythm 06” renders the outer trappings of internal collapse, a choreography of layers of the real. This new reworking of “Rhythm 93” transposes Michael Whitmore’s ethereal score for 10-string guitar and overtones on Carolyn Roy’s original riveting hypernaturalist performance.
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Afternoon in Bottle Village
A requiem for a cathedral of light, built entirely of glass bottles, pencils, and industrial detritus by legendary California outsider artist Grandma Prisbrey from 1956 to 1981. The Village has long since fallen into decay, and is accessible by hopping a small fence. The spirit of Grandma Prisbrey is conjured from the ruins with an improv on broken piano by Jodie Baltazar (aka Monotrona). Part of Ross Lipman’s experimental documentary compilation, “the perfect heart of flux,” also available through CFMDC.
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Sex On Wheels (short)
“Sex On Wheels” tells the secret history of San Francisco’s sex workers. Interweaving Super 8 footage of a living history bike tour/theater piece (think Colonial Williamsburg, with whores) with archival film and photographs, the film tells the story of a city’s forgotten residents: an ex-slave who became a wealthy procuress, a cross-dressing 1940s lesbian gigolo, a madam who became mayor, a gang of transgender teen hustlers who rioted for their rights, a radical feminist hooker/assassin, and a posse of anarchist strippers who took over a peep-show. 38-minute version also available, see “Sex on Wheels (demi-feature)”
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Bol (Speak!)
A cyclist meets a stranger in the market. A boy waits for his mother to return home. A man wakes up to find that his face is being stolen by shadows. Three separate encounters become the departure point for “Bol (Speak!),” a short dramatic experimental triptych on the nature of violence. Inspired by the Pakistani Marxist poet, Faiz Ahmed Faiz’s poem Bol, and drawn from real events, the film uses still photographs, puppets and folk dance to comment on the increasing ubiquity and tenor of violence in South Asia. It is a gradually escalating experience of violence. All three chapters…
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Sex On Wheels (demi-feature)
“Sex On Wheels” tells the secret history of San Francisco’s sex workers. Interweaving Super 8 footage of a living history bike tour/theater piece (think Colonial Williamsburg, with whores) with archival film and photographs, the film tells the story of a city’s forgotten residents: an ex-slave who became a wealthy procuress, a cross-dressing 1940s lesbian gigolo, a madam who became mayor, a gang of transgender teen hustlers who rioted for their rights, a radical feminist hooker/assassin, and a posse of anarchist strippers who took over a peep-show. 12-minute version also available, see “Sex on Wheels (short)”
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Bus Pass, The
A woman sees the girl of her dreams on the train home from work. Will she dare take the plunge and ask for her number? Winner – Audience Award for Best Lesbian Short at Hamburg International Lesbian & Gay Film Festival (2011)
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Arrival, The
In this satirical short, a close-knit community is rattled by an invasion of the queerest kind. Eyewitness accounts reveal the terror that has befallen the members of an Asian-American church, leaving them fragile and shaken. “The Arrival” is a hilarious take on LGBT issues that cleverly mixes fact and fiction.
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Abstract Random: Mi Nah Wanna
“me nah wanna hear dem chat bout violence, if you can’t take care of the children, it’s time to raise a generation, YO, the whole world is listening…” ABSTRACT RANDOM: rap electro dub hop + bring-back-cool feminist political. An all-female Toronto-based group composed of Jamilah Malika (vocals), LoverSun aka F.Nocera (producer, vocals, visuals) and Ayo Leilani (vocals). AR’s new music video for the rhythmic “Mi Nah Wanna.”
