Film Categories: Work by Women

  • Yes! I am…single!

    An ambidextrous demonstration of how a Lesbian can forgo the need to be in a relationship and be quite fine with being singular and unique. Italian with English subtitles/close captioning Winner First Prize at “The L Factor,” Five Lesbian Days (Rome, 2010)

  • Bliss Out

    A light-drenched black and white roadmovie, charting interior and exterior peregrinations made through the City of Angels in 2003/04. (Antimatter Film Festival catalogue, 2009)

  • Nous

    Filmed over a nine-year period, a close look at how we build relationships and how relationships build us. A bi-lingual film in French and English. Optical printing done during an artist residency at Liaison of Independent Filmmakers of Toronto in 2005.

  • Sing As We Go

    The city’s wavering light is its pulse and its extinguishment. A voice booms out with unsure finality, on unfirm foundations.

  • Off Route 2

    The scene of a car accident serves as a backdrop to an exploration of trauma and the often-anticlimactic aftermath of personal tragedy. A woman hangs inverted in silence, inhabiting the space of wildlife in the forest. This is as much a performance of endurance as it is a fictional construct; the execution of the film demanded that the artist hang upside-down from a seatbelt for extended periods of time in sub-zero weather.

  • tide goes in, the tide goes out, The

    A hand-processed, black-and-white ode to the secret world of moon jellyfish (Aurelia aurita). “The tide goes in, the tide goes out” revels in the material and chemical qualities of the film medium, with the fragility of the film mirroring that of the jellyfish. Made for 30 x 30: Newly Commissioned FIlms for Thirty Years of LIFT Selected screenings: Images Festival, 2012 (Toronto, ON); Kassel Documentary Film & Video Festival, 2012 (Germany); Jihlava International Documentary Festival, 2012 (Czech Republic); (S8) Mostra Cinema Periférico, 2016 (Spain)

  • when the smog-filled wind began to howl

    We know now that in the early years of the twenty-first century this world was being watched closely by intelligences greater than man. [adapted from Orson Welles’ adaptation of HG Wells’ War of the Worlds (Orson Welles And Mercury Theatre On The Air, Columbia Broadcasting System, 8:00 To 9:00 P.M., Sunday, October 30, 1938)]

  • Bol 1 (the Cyclist)

    A cyclist meets a stranger in the market. “Bol 1 (the Cyclist)” is the first of three separate encounters that make up “Bol (Speak!),” a short dramatic experimental triptych on the nature of violence. Inspired by the Pakistani Marxist poet, Faiz Ahmed Faiz’s poem “Bol”, and drawn from real events, this segment uses still photographs to comment on the increasing ubiquity and tenor of violence in South Asia. The extended triptych, “Bol (Speak!),” is also available for distribution through CFMDC.

  • Even if my hands were full of truths

    “Even if my hands were full of truths” is the third part of a series by the artist about the legacy of former Chilean dictator Augusto Pinochet. This component is a mirror that contemplates how memory might or might not become history, using excerpts from now-declassified CIA correspondence and a photo-montage taken at the Museum of Human Rights and Memory in Santiago. Rotterdam International Film Festival, DINAMO: True/False, 2019

  • Bol 2 (the Rape)

    A boy waits for his mother to return home. “Bol 2 (the Rape)” is the second of three separate encounters that make up “Bol (Speak!),” a short dramatic experimental triptych on the nature of violence. Inspired by the Pakistani Marxist poet, Faiz Ahmed Faiz’s poem “Bol”, and drawn from real events, this segment uses puppetry to comment on the increasing ubiquity and tenor of violence in South Asia. The extended triptych, “Bol (Speak!),” is also available for distribution through CFMDC.