Film Format: 16mm
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Pigment-Dispersion Syndrome
The diagnosis of an eye disorder incited this meditation on fear and beauty. Glimpses of curious and creative souls peek out of countless hand-painted film frames. Infinite colors and textures burst, blend, and challenge the primacy of uniform vision.
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past(or)already
A 16mm film comprised of 10 images from my grandma’s photo albums of my childhood printed frame by frame through a digital to film process
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Deep 1
Filmed over 2 years (2020-2022), at home and away, Deep 1 is a diaristic meditation, flower/plant processed and decayed with hyacinth and lichen extract. Winged and four legged animals, both wild and domestic, traverse the frame marked by a hand-made practice. Filmed from 2020 – 2022, processed and decayed with hyacinth & lichen extract, the film is built on a sustainable practice: images and the imaging making process evolve out of “a complex material engagement with an eco-system that draws out the expressive possibilities of living things beyond conventional forms of representation”. Kim Knowles on Hoffman’s practice – Jury Award…
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Lion in the Wind
Fugue for wushu in the West.
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After Bed
Pulsing flashbacks from the summer of love reawaken a queer California classic.
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Last Light Breaking
Words on stone monuments, floating through the frame, suggest that origin always has a powerful, lived base. Deeply charged images seem possessed by the memory of those who have passed through. This experimental film is an examination of the ties that have formed beyond the last light.
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Grey Gardens
Meet Big and Little Edie Beale – high society dropouts, mother and daughter, reclusive cousins of Jackie O. – thriving together amid the decay and disorder of their ramshackle East Hampton mansion. Five years after “Gimme Shelter,” the Maysles unveiled this impossibly intimate portrait of the unexpected, an eerie echo of the Kennedy Camelot, which has since become a cult classic and established Little Edie as fashion icon and philosopher queen.
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i see me watching
Based on the artist’s personal struggle with gender, i see me watching speculates on the journey to and struggle with finding identity by presenting a first-person depiction of a singular self that has been split into two. The film displays the character’s ever-changing emotions as they follow an anonymous figure through unfamiliar surroundings, and gain awareness of the figure as an integral part of their being.
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Delight at Robert St
Buddy, an old stray cat from Toronto, had managed to conquer a small territory of his own in the center of the city. The filmmaker met Buddy’s gaze every time she went out, she befriended her neighbor and captured his last fall with her old 35mm hand cranked movie camera.
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Modulations
A short film about memory, dislocation and cultural identity.
