Film Format: 16mm

  • Hammu

    Hammu is the name of the hamster I had as a child. It seemed it was my only friend and being to identify with. One day it disappeared from the cage and was never to be seen again; that event marked the end of my childhood, of unreserved trust and commitment. The work is a visualization of memories I have about the event ,of obsessions, tediousness, and loss. (SV)

  • Grounders

    Confusion and fun go hand-in-hand on the playground.

  • River

    A hand-processed black and white study of the Ottawa River in winter. Commissioned by the Lightproof Film Collective with sound design by Eric Walker.

  • Hand

    Using spray paint and markers, the film animates moving hand shapes, outlined hands, crossing hands, hand prints, intertwining fingers. This simple visual concept, hand outline tracings, shows the artistry involved in the manipulation of colour, texture, and rhythm.

  • Handtinting

    “‘Handtinting’ is the apt title of a film made from outtakes from a Job Corps documentary which features hand-tinted sections. The film is full of small movements and actions, gestures begun and never completed. Repeated images, sometimes in colour, sometimes not. A beautifully realized type of chamber-music film whose sum-total feeling is ritualistic.” – Robert Cowan, Take One

  • Six Months

    “Six Months” (2023) is a critique of alcohol within a North American cultural context, through societal pressure and mass marketing. It challenges notions of perfection in maintaining sobriety and the stigma surrounding relapse. This project uses different types of alcohol in its developing process, as well as multiple in-camera exposures, transforming alcohol from an intoxicant to an artistic tool.

  • Determinations

    1988 & 2023 4K revision (Revision sponsored by Telefilm Canada Reignite program (for historical valuable Canadian films and to archive such films) which allowed me to transfer my 1988 16mm film to 4k video. A post-punk gonzo doco from the 1980’s restored for the digital realm. The Squamish Five story — a significant historical Canadian recollection, a refreshment of memory in a time of ever increasing environmental suicidal somnambulism & social, political dementia. The Reagan era (1981 – 1989) in the USA marked a time of heightened tensions between the United States and the Soviet Union, with the deployment of…

  • Happy Birthday Baby

    Bonding between parents and baby helps create the new family; this process is clearly explained in a warm and informative way. As the family prepares for the birth of a child, the relationships of parents and siblings, as well as the birth itself, appear through film.

  • Happy Birthday!

    Happy Birthday was created with a newly-found cassette recording from my 1970 birthday party. One hears a 16mm camera motor starting and stopping in the background as my father directs me to mark the “takes” in a 16mm film that was also found, but never developed, and whose images were consequently lost. Using the same Bolex camera that he had used, I recreated the images to accompany the found sound, a blank screen formed by morning sunlight, textured with the bubbles and scratches of hand processing in the basement barn of the Film Farm. [Originally shot at Philip Hoffman’s Independent…

  • Currents / Perpendicolare Avanti

    Currents / Perpendicolare Avanti is a camera-less, hand-made, 16mm film collage, based on the artist’s autobiographical experience as an immigrant. In three movements, the film explores the dynamics of inhabiting the in-between space of moving between multiple countries and their temporalities, through visual and sound abstraction, interlacing and recycling pre-existing film materials and, using fragments from anonymous orphan films. Utilizing these so-called scraps, Currents is a film of extensive remediation, treated by hand through the use of the emulsion lifting technique, thereby re-imagining, re-constructing, and de-constructing the liminality of immigrant life. The re-writing of the self in Currents is produced…