Film Format: 16mm

  • The Danse Macabre

    A graveyard dance party.

  • The Hart of London

    “One of the few GREAT films of all cinema.” – Stan Brakhage “The Hart of London (1970) extends Chambers concerns with light, time, perception and the relation of the visible to Vision. It is a sprawling work that conjoins the public and the personal, history and memory, man and nature, self and other.” – R. Bruce Elder. Back and forth, between life and death, the film creates a “real” view of the world around, and gradually, as the real world comes in to focus, there develops an almost subliminal theme of the “Hart of London” – a deer which was…

  • lessons on flight

    Shot on B&W 16 mm film, eco-processed with olives and hand coloured on site in rural Chile, lessons on flight examines the flight patterns of the green-backed firecrown hummingbird. lessons on flight is an exercise in site-based eco processing, where the film’s shooting site also provided the materials for processing. The film was shot in rural Chile, at the site of the filmmaker’s father’s childhood home, and was developed with olives freshly picked in the yard. The oil from the olives left a cast on the film that interacted with food colouring placed on the film following fixing, leaving unique…

  • Where the snow-fed Rio del Llano met the edge of the desert

    Where the snow-fed Rio del Llano met the edge of the desert(2023 Length: 04:56 min), is a site specific film, in 2019 I visited the geographical location, Pear blossom Highway in California which is near the Antelope Valley (the armpit of California). A place also known as The Socialist Ruins. Here, Job Harriman, a socialist lawyer who ran for Vice President of the United States, Governor of California and Mayor of Los Angeles, founded in 1914 the cooperative colony – Llano del Rio which means plain by the river and the colony flourished for four years between 1914 to 1918.…

  • Entre la langue et l’océan

    A psycho-sexual poetic politico historico and reflective film document about the Canadian identity and the failed revolution of 1837 – 1838. To understand the disease’s origins is not equivalent to finding an effective therapy, but it is undoubtedly a crucial prerequisite. Entre la Langue et L’Océan. Surréaliste, radical, esthètiquement riche et techniquement ambitieux, ceci est un film qui résiste toute classification. A man tries to invent a liberated state and ends up in a penal colony. After awhile he hesitates to remember the cause of his incarceration. He only remembers what he left behind not what he was hoping to…

  • Aquarien

    “EN”? – as the dictionary has it: “made of, of, or belong to” (then) Aquarius/an. This is my first conscious make of a “tone poem” film.

  • Haven

    Animated magazine cutouts of two men having sex lead into appropriated gay porn images, blurred to the point where they become abstract colour and motion. All this is set to pastoral sounds, sex noises, and a reporter’s voice-over about the RCMP’s “fruit box” experiments – official and ludicrous attempts to expose closeted gay men.

  • Hawkesville to Wallenstein

    An impressionistic documentary about the Old Order Amish farmers in Waterloo County during the winter months. (35 mm print available)

  • Hypnagogia

    In the threshold between sleep and wake, hallucinations and moments of paralysis take hold. Hypnagogia is an exercise in eco-processing, with different 16 mm B&W film stocks processed with multiple different organic material, including apples, avocado peel, coffee, grapes, peaches, pomegranate and wine.

  • I Believe in the Good of Life

    “I Believe in the Good of Life” celebrates the antics of Toronto drag queen Tawny Le Sabre (Alex McClelland) as the film catalogues the crimes made throughout one summer. Legendary drag artist Keith Cole plays the judge and also Le Sabres co-conspirator in this colourfully absurd film shot on 16mm. Also making cameos: Will Munro, GB Jones and Owen Pallett. A virtual time-capsule of the Toronto queer scene at the turn of the millennium.